Honestly, there is no point in reading this review until after you’ve seen the movie. There is no way that my review of a Star Wars movie will influence your decision to see it or not. So this review will have spoilers. To be clear, this is not a review to belittle, but rather my honest thoughts on the film, not a recommendation on whether you should see it. If you come here quickly to look at the score, I gave it an 89/100. Undoubtedly, if you’ve watched the other films, you’ll want to see this one in the theater. If you’re new to the franchise and wonder which movies you need to see before watching Episode VII, I would recommend watching IV, V, and VI. Those are the ones that will help you best understand this film. You don’t need to see I, II, or III. I’m not sure if you can fully appreciate VII without seeing IV, V, and VI first. It is assumed that you have seen these films. If you haven’t, there is no real effort or desire to explain anything that happened in the past.
Sometimes, when you see a movie that you know nothing about, you are treated with an unknown little treat – a film that will stick with you forever. Ex Machina is the movie this year. My comparison here is to the Brad Pitt/Morgan Freeman gem Seven. It was a movie I knew nothing about. I had only heard that it was a movie I must see through word of mouth. Seven probably has a place in my all-time top 25 forever. That’s how good it was. But a lot of this initially high rating was because of how in awe I was when I saw it in such a small, rickety stage theater converted into a movie theater in Lexington, VA, in the fall of 1997. Now, Ex Machina is not in the class of Seven. But like Seven, it is a gripping, carefully scripted movie that will stay with you long after you watch it. Ex Machina will challenge for best movie of the first half of 2015.
The best movie of 2014 that has flown under the radar is, without a doubt, J.C. Chandor’s (All Is Lost, Margin Call) A Most Violent Year. As I will mention in the paragraphs below, this movie is subtly fantastic. But before I get into the film, I want to talk about Chandor. This guy is quietly establishing himself as a master of two crafts. A Most Violent Year is just his third movie, but it is the third he has directed and written the screenplay for. And all three films have earned at least 88% fresh on Rotten Tomatoes, even though none made more than $8 million at the box office. All three movies are unique, and Chandor has already worked with some of the biggest names in Hollywood (Robert Redford, Kevin Spacey, Jeremy Irons, Demi Moore, Stanley Tucci, Oscar Isaac, David Oyelowo, Jessica Chastain, and Albert Brooks). He has already signed Mark Wahlberg to star in his next project. And while All Is Lost and Margin Call were both unique movie experiences, A Most Violent Year is Chandor’s crowning achievement to date.
For every one of their blockbusters (True Grit, No Country For Old Men) or every one of their movies with grandiose, almost absurd plots (Fargo, Miller’s Crossing), there are the more subtle, lesser-watched but still critically acclaimed movies (A Serious Man, The Man Who Wasn’t There) by director brothers Joel Coen and Ethan Coen. In the mold of this last type of genre comes their first effort in three years, the simple yet thought-provoking Inside Llewyn Davis, a film that stars Oscar Isaac (Drive, Robin Hood) in, perhaps, the surprise performance of the year and the role that will land this talented young actor many more opportunities. Continue reading Inside Llewyn Davis (2013)→
Original review – September 18, 2011 | Updated review August 12, 2013
Updated review****
This movie is a classic. I had a couple of original problems based on my initial view. The preview made it seem like it would be a completely different movie. I hadn’t prepared myself for the violence or all of the overlapping storylines that were going on. I thought I would watch Ryan Gosling drive bad guys around and avoid the police. The movie trailer is essentially the film’s first five minutes (nothing more, nothing less). I expected something different, which is why my initial review was lower than it is now.
I loved Gosling and Mulligan. I loved the way the unspoken attraction they had for one another. I loved how Gosling did everything he could, not getting attached to somebody he couldn’t just walk away from in five minutes, but how circumstances kept driving them together to the point where he would do anything to keep them happy and safe.
Honestly, there is no point in reading this review until after you’ve seen the movie. There is no way that my review of a Star Wars movie will influence your decision to see it or not. So this review will have spoilers. To be clear, this is not a review to belittle, but rather my honest thoughts on the film, not a recommendation on whether you should see it. If you come here quickly to look at the score, I gave it an 89/100. Undoubtedly, if you’ve watched the other films, you’ll want to see this one in the theater. If you’re new to the franchise and wonder which movies you need to see before watching Episode VII, I would recommend watching IV, V, and VI. Those are the ones that will help you best understand this film. You don’t need to see I, II, or III. I’m not sure if you can fully appreciate VII without seeing IV, V, and VI first. It is assumed that you have seen these films. If you haven’t, there is no real effort or desire to explain anything that happened in the past.
Sometimes, when you see a movie that you know nothing about, you are treated with an unknown little treat – a film that will stick with you forever. Ex Machina is the movie this year. My comparison here is to the Brad Pitt/Morgan Freeman gem Seven. It was a movie I knew nothing about. I had only heard that it was a movie I must see through word of mouth. Seven probably has a place in my all-time top 25 forever. That’s how good it was. But a lot of this initially high rating was because of how in awe I was when I saw it in such a small, rickety stage theater converted into a movie theater in Lexington, VA, in the fall of 1997. Now, Ex Machina is not in the class of Seven. But like Seven, it is a gripping, carefully scripted movie that will stay with you long after you watch it. Ex Machina will challenge for best movie of the first half of 2015.
The best movie of 2014 that has flown under the radar is, without a doubt, J.C. Chandor’s (
For every one of their blockbusters (
Original review – September 18, 2011 | Updated review August 12, 2013