Love or hate him, Terrence Malick has a unique style. Personally, he’s not for me. The New World was a decent enough film, but it left me wanting more. I had such high hopes for The Tree of Life, only for it to result in one of my most frustrating and tedious theater-going experiences ever, that I was ready to write him off. However, there is often an anomaly. For me, it was his devastatingly beautiful portrayal of World War II in 1998’s The Thin Red Line. Rightfully or not, The Thin Red Line will forever be associated and compared with Saving Private Ryan, another World War II-based Best Picture nominee of 1998. And, if I’m being 100% honest, I did not know that Malick directed the Thin Red Line until after I finished watching it.
Category Archives: Sean Penn
Dead Man Walking (1995)
The year 1995 got it right while getting it wrong simultaneously regarding the Oscars. I’m referring, in particular, to two movies. Dead Man Walking and Leaving Las Vegas. Each movie had knock-it-out-of-the-park performances from its lead characters, but neither film could capitalize on these performances to earn a Best Picture nomination. However, outside of Braveheart and Apollo 13, this wasn’t a particularly strong year with Babe, Sense and Sensibility, and The Postman as the other five nominees. Braveheart (the winner) continues to remain one of the most beloved Best Picture winners of all time, while many view Apollo 13 as a technical masterpiece. As a brief aside, Heat, Se7en, and The Usual Suspects deserved the other three nominees
Licorice Pizza (2021)
Say what you will about Paul Thomas Anderson (There Will Be Blood, Magnolia). Whether you are a fan of his directing or not, his movies feel like they are so much longer than they need to be. Painfully so, sometimes. He hooks you with his rich characters (often played by some of the finest actors in the industry) and what feels like is going to be a soft, gentle story. But then his movies tend to drift aimlessly, going down so many different wormholes before finally arriving at an unsatisfying conclusion. Such is the case with Licorice Pizza, a boy meets girl, coming-of-age story that is likely to earn some Oscar nominations despite its waning story and crawl to the finish line.
Flag Day (2021)
n a film he directed, Sean Penn (The Indian Runner, The Crossing Guard) picked a fine time to put himself in front of the camera for the first time. Flag Day is just Penn’s sixth directing effort and only his second since 2007’s Into the Wild, which he has openly admitted is the pinnacle of his Hollywood career. That is a crazy thing for someone who had won an Oscar for Best Actor just a few years prior (Mystic River) and again a year later (Milk). In an interview promoting Flag Day, I read that Penn had written two books and would have continued to write more had they had the same success. However, with those novels faltering, perhaps he felt directing gave Penn more autonomy than directing and that this is how he wanted his accomplishments to be with his work behind the lens rather than in front of it.
The Secret Life Of Walter Mitty (2013)
If one trailer in 2013 left you thinking, “That movie could either be good or terrible,” it was the trailer of The Secret Life of Walter Mitty. This movie stars Ben Stiller, more or less, outside of his usual comedy genre. This movie is certainly not There’s Something About Mary or Meet the Parents. This isn’t the equivalent of Ed Helms in Jeff Who Lives at Home, Jim Carey in The Truman Show, or Will Ferrell in Everything Must Go. Those movies, each starring a comedic actor outside of their comfort zone, were more dramas, whereas this movie is both a drama and an adventure. In many regards, I appreciate the effort of Stiller venturing into something new. I think there is a place for a character of his ability in similar films. Unfortunately, The Secret Life of Walter Mitty is not this movie. The movie is rated PG, and I’m not entirely sure why. This isn’t Night at the Museum. I don’t feel like the younger audiences had/would have much interest in this movie. And even if it did appeal to this group, I’m not sure Stiller is the star to lead it. Maybe, but I’m not convinced. With that said, I appreciate a movie that aims for the PG rating when it seems it could easily drift towards the PG-13 rating
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