Love or hate him, Terrence Malick has a unique style. Personally, he’s not for me. The New World was a decent enough film, but it left me wanting more. I had such high hopes for The Tree of Life, only for it to result in one of my most frustrating and tedious theater-going experiences ever, that I was ready to write him off. However, there is often an anomaly. For me, it was his devastatingly beautiful portrayal of World War II in 1998’s The Thin Red Line. Rightfully or not, The Thin Red Line will forever be associated and compared with Saving Private Ryan, another World War II-based Best Picture nominee of 1998. And, if I’m being 100% honest, I did not know that Malick directed The Thin Red Line until after I finished watching it.
Category Archives: 1998
He Got Game (1998)
A few friends and I recently discussed movies we thought warranted a second watch. We debated whether a film aged like fine wine or sour milk. It meant whether we thought a movie held up, or was even better, years after its original release, or whether we didn’t think it was all that good now, even though we once held it in high esteem. One of my friends said Terminator 2 aged like sour milk. Though I haven’t seen it a second time, this movie was so far ahead of its time in terms of technology in 1991, but I don’t doubt it might be unwatchable 30 years later. The sour milk example I gave was The Great Outdoors, a movie that a 12-year-old me thought was hilarious in the theater, but that I didn’t chuckle at once during my 2012 viewing. An example of a movie that aged like a fine wine was Apocalypse Now, a movie I didn’t necessarily love when I first saw it, but one I grew to appreciate as I aged. Spike Lee’s Malcolm X, Do the Right Thing, and He Got Game are fine wines. I remember thinking it was “pretty decent” in 1998. It has stood the test of time and, as we have seen in recent years, applies more to the sleaziness of college basketball recruiting.
Enemy of the State (1998)
1998’s Enemy of the State was, for the most part, the first film that the movie studios relied on Will Smith to carry. This was Smith’s seventh movie overall and the fourth in which he was a major star. The other three were Bad Boys (where he had Martin Lawrence), Men In Black (where he had Tommy Lee Jones), and 1991’s summer blockbuster, Independence Day. This was certainly not a make-or-break movie for Smith, but a domestic gross of $111 million and favorable reviews from the critics helped cement him in the Hollywood landscape, where he has remained ever since.