Why did the Mad Titan Thanos (Josh Brolin – W., Sicario) need to grab hold of the power of the six Infinity Stones to destroy the universe? I think it’s important to understand what causes a villain to do certain actions rather than just to have a bad guy. The stronger the villain’s arc and the more we sympathize with them on any level, the more we understand and appreciate the underlying of who they are. In Avengers: Infinity War (directed by Anthony Russo and Joe Russo), we have a powerful bad guy motivated by a tortured past and willing to destroy all the good guys in the universe to atone for it. After the planet Titan is no longer inhabited, he is not allowed to prevent things from destroying it; he thinks he will prevent it. Instead, he lost his planet and everyone on it. Vowing not to let something like that happen again, he makes it his mission to balance the universe by completely wiping out half of it. But to do so, he’ll need all six of the Infinity Stones that will power his Infinity Gauntlet, allowing him to bend time, space, energy, and the laws of physics and reality.
Category Archives: William Hurt
Captain America: Civil War (2016)
Captain America: Civil War is perhaps the greatest superhero movie that Christopher Nolan has not directed. My two favorite superhero movies (The Dark Knight and The Dark Knight Rises) belong to him. As of this post, my third favorite would probably be a toss-up between Batman Begins, Iron Man, and Captain America: Civil War. There are others (such as The Amazing Spider-Man, Iron Man 2, Captain America: The Winter Soldier, etc.) that are up there, but there is clearly a distinction between the top 3 or 4 and all of the others. I hope that superhero movies continue to get better, but unfortunately, it feels like we get 3-4 bad ones for every good one we get. So when we get a movie like Captain America: Civil War, it’s important to take pause, see it, praise it, and encourage more movies like it because we know that poor movies will continue to be made because all of them seem to gross over $100 million easily. And the reason they do is our fault. We continue to see these terrible movies. But that is a different story for a different day.
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A History of Violence (2005)
I remember when I first saw A History of Violence in the theaters in 2005. It was not what I was expecting at all. I remember thinking the movie was decent, but not what I expected. This was also when I started to get into the Oscars. I remember being flabbergasted when William Hurt (The Doctor, Children of a Lesser God) received a Best Supporting Actor nomination. At that time, my beef with his nomination was that he was only in one scene (basically the last scene in the movie). To warrant this kind of acclaim, I felt that you needed to be on the screen for more than 15 minutes. As I watched it again (for just the second time ever) last night, I realized that he didn’t deserve the nomination, not because he was only on the screen for 15 minutes, but because his performance sucked. He was such a minor character, and anyone could have played this performance, and it wouldn’t have affected the movie. If anybody deserved a nomination for this movie, it would have been Viggo Mortenson (The Road, Eastern Promises), who, as he always seems to do, hit a home run as this movie’s lead.
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Into The Wild (2007)
The Sean Penn (The Crossing Guard, The Pledge) directed Into the Wild had all the promise of a movie that could have lived in the lives of high school students around the country for years to come. The novel of the same name, penned by Jon Krakauer, is part of the high school curriculum in many school systems around the country. The movie is rated R. I’ve seen it twice. Had a couple of scenes been toned down, the movie could have easily garnered a PG-13 rating, thus allowing it to be viewed in English class after reading the book. I don’t know if Penn thought about this when making the movie and, if he did, if he even cared. It is, however, food for thought.