
Thomas Jane’s directorial debut leaves much to be desired. I enjoyed
Dark Country more and more for the movie’s first two-thirds. However, the film loses me once it starts going from trying to be a believable mystery to an over-the-top parade of being there/done those moments. I can appreciate movies that force a character to go mad until he slowly reaches the depths of hell (
Apocalypse Now, 1408,
American Psycho, and, of course,
The Shining). But if this is the result you aim for, you will need a first-time director to accomplish that.
Dark Country could have gone in a dozen different directions. Unfortunately, for me, and probably for you, too, I was led on a path that left me dissatisfied.
Continue reading Dark Country (2009) →
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