Thomas Jane’s directorial debut leaves much to be desired. I enjoyed Dark Country more and more for the movie’s first two-thirds. However, the film loses me once it starts going from trying to be a believable mystery to an over-the-top parade of being there/done those moments. I can appreciate movies that force a character to go mad until he slowly reaches the depths of hell (Apocalypse Now, 1408, American Psycho, and, of course, The Shining). But if this is the result you aim for, you will need a first-time director to accomplish that. Dark Country could have gone in a dozen different directions. Unfortunately, for me, and probably for you, too, I was led on a path that left me dissatisfied.
Continue reading Dark Country (2009)