“The rush of battle is a potent and almost lethal addiction, for war is a drug.” – Chris Hedges, author of War Is A Force that Gives Us Meaning.
2009’s The Hurt Locker is one of the finest movies ever. It was utterly gripping in its year of release and is a movie that will remain relevant until the end of time. It was monumental that director Kathryn Bigelow (Point Break, Zero Dark Thirty) became the first woman to win the Academy Award for Best Director and the first woman to direct a Best Picture of the Year. It only took 80 years. Just as impressive, and a significant credit goes to Bigelow, was the breakout performance for two future Hollywood A-listers in Jeremy Renner (The Town, Wind River) and Anthony Mackie (The Adjustment Bureau, Triple 9). Ironically, both have landed themselves as Avengers characters, something I will touch on later in this review. There have been many excellent movies about the war in Iraq (Stop-Loss, The Green Zone, The Messenger, Grace Is Gone, Lions for Lambs, In the Valley of Elah, Jarhead), The Hurt Locker is second, falling just behind Clint Eastwood’s American Sniper. And it’s close. Each is a film that should receive multiple views. Each had a lead that hit his performance entirely out of the park, had incredible direction, and had a chilling score that could be listened to on a quiet night on the couch at home. It is, without a doubt, a movie that should be viewed by anyone who enjoys/appreciates war movies.
Set in 1961 England, Carey Mulligan’s (
500 Days of Summer was one of the most rewarding movie experiences I’ve ever had. When I first heard about this movie back in the summer of 2009, I thought there would be no way I would ever see it, let alone see it in the theater, let alone see it in the theater and enjoy it. But as word of mouth began to spread and as the movie sustained life in the theater, it became inevitable that I would eventually see it. Nevertheless, I still was convinced that I would not like it. I was wrong. I loved it. Not only was it my favorite movie of 2009, but it most likely has a permanent spot in my all-time top 25.
John Hillcoat’s (
Brothers, the Tobey Maguire/Jake Gyllenhaal/Natalie Portman collaboration, had the opportunity to be the very best movie of 2009. The trailer, showing a mentally unstable Maguire as a decorated soldier returning home from Afghanistan after being purported dead, shows us one thing is for sure…this isn’t the Tobey Maguire we are used to seeing in Spider-Man, Seabiscuit, or The Cider House Rules. From the three-minute movie trailer alone, I knew I would see this movie the day it came out because I was gripped by Maguire’s turn from a loving husband and nurturing father to a menacing psychopath.