Love & Mercy, the Brian Wilson biopic that shows two time periods of The Beach Boys’ life’s most recognizable face, is one of the most underrated movies of 2015. Forget whatever you know or think you know about Brian Wilson. For me, that was absolutely nothing. I knew he was a member of The Beach 
Boys, but that was about it. After seeing this movie, I’m not really a fan of The Beach Boys, but I have a new appreciation for the band, especially for Brian Wilson. While the band is known for its carefree car tunes like Surfin USA, I Get Around, and California Girls, not all were as peachy as I thought. I’ve always considered The Beach Boys one of those bands that didn’t have a lot of substance in their songs. Not being a Mr. Happy Go Lucky type guy and having been to the beaches of California only a couple of times, I couldn’t relate to their music like I could a Tom Petty or Bruce Springsteen. Their songs, to me, were just that. Peachy. While I will not go out and buy their entire anthology, I will listen to some of their songs, which I might not have in the past. Initially, I had no intention of seeing this movie. I thought it was a documentary at first. But I’m glad I decided to see it. Every fan of the band and everyone who enjoys a good biopic should go out and see this movie.
Category Archives: Based on a True Story
The End of the Tour (2015)
The most unexpected surprise movie of 2015 was the incredibly well-written and well-acted The End of the Tour. While The Gift was the biggest surprise of the year, I went into that movie believing I would like the film, but not that much. With The End of the Tour, I was super apprehensive about one of those things because the trailer just looked pretty corny. While I know many comedic actors can start in fantastic dramas (Robin Williams, Jonah Hill, Bill Murray), I was very uncertain that Jason Segel was up to this task in his career. Segel has killed it with his comedy, both on the big screen (I Love You, Man, Forgetting Sarah Marshall, The Muppets) and television (How I Met Your Mother, Freaks and Geeks). He’s had a couple of misses (Sex Tape, Bad Teacher), but I still felt that he hadn’t worn out his recipe for success. Adam Sandler, Will Ferrell, and others have all made hundreds of millions using the same formula. I think Segal is undoubtedly a more talented actor than Sandler. With Ferrell, time will tell. He’s in a lull, but I wouldn’t count him out. Nonetheless, Segal is an unbelievable talent who quietly goes about his business and will continue to earn opportunities in film and television.
Concussion (2015)
Continuing the theme of the 2015 awards season, where movie releases have failed to meet expectations due to a lack of emotional audience engagement, comes Concussion, a true story dealing with the effects of professional football concussions. The movie, set in 1982 Pittsburgh, begins with one of the city’s most recognizable faces (Mike Webster of the Super Bowl-winning Steelers teams of the ’70s) living in his truck and slowly losing his mind. Mike (David Morse – The Green Mile, Disturbia) gives the most poignant performance in the entire movie. In a film where we could and should care for all sorts of characters, Mike is the only supporting character who evokes any emotion in us or allows us to feel any empathy. In just a few short scenes, Mike can convey to us that despite what his doctors say, he has significant life problems that are a result of something that happened to his mind from the time he retired in 1990 until the time frame at the start of the film (2002). His 14-year career included 150 straight games as a starting center from 1976 to 1986.
Joy (2015)
Joy is the epitome of a very average movie with a standout lead performance. Jennifer Lawrence (Silver Linings Playbook, American Hustle) will most definitely earn her fourth Academy Award nomination (third for Lead Actress) in five years for her role as the title character. Still, she does not have a chance to win. I think she would have had a shot had the movie been better received with critics and audiences, but it likely would not have been enough to knock off favorites Brie Larson (Room), Saoirse Ronan (Brooklyn), or Charlotte Rampling (45 Years). Lawrence and Cate Blanchette (Carol) likely will be the final two nominations, with Carey Mulligan (Suffragette) having an outside chance to spoil.
The Danish Girl (2015)
The closer that each of my reviews is to awards season, the more unconventional they become. For the past four or five years, I’ve tried to see as much as I can. If a movie gets nominated in one of the big six awards, I will see it regardless of how I feel about it. Sometimes this can be a painful experience, but it’s part of what I’m trying to do. So, before I get into my review of The Danish Girl, I want to talk about the Best Actor Academy Award nomination category. In a year where male lead performances have fallen short of the caliber they have achieved in recent years, the battle for Best Actor comes down to two individuals. These include Eddie Redmayne (The Theory of Everything, My Week With Marilyn) for this movie and Leonardo DiCaprio for The Revenant. When Matt Damon (The Martian) or Michael Fassbender (Steve Jobs) are the next guys in line behind these two, you know it’s a two-dog race. I am a massive fan of both Damon and Fassbender, but they each have at least three movies in their filmography in which they delivered better performances than the ones they gave this year.