Jake Gyllenhaal (Nightcrawler, Stronger) makes every movie he is in better than it would otherwise be, regardless of it it’s a great movie, a terrible movie, or anything in between. Director David Fincher (Se7en, The Social Network) doesn’t make bad films. With Gyllenhaal and Fincher together, along with an ensemble that includes Robert Downey Jr. (Iron Man 3, Natural Born Killers), Mark Ruffalo (Foxcatcher, Spotlight), Anthony Edwards (Top Gun, NBC’s ER), Dermot Mulroney (My Best Friend’s Wedding, Young Guns), Brian Cox, (The Ring, HBO’s Succession), and John Carroll Lynch (The Trial of the Chicago 7, Jackie), Zodiac was bound for success. While the film connected on all fronts, it felt like it left something to be desired, though this would undoubtedly be true for anyone familiar with the story.
2010 could live forever as the best year for movie releases in my lifetime. As I write this today (April 22, 2023), I, sadly but more confidently, feel like the years when we have two to three dozen quality movies are forever gone. With the advent of streaming television shows and series and an established vast array of cable programming, the cinematic single-viewing experience may be left to blockbuster-type movies. There have been no better examples than 2020, which I had discussed in previous reviews was the worst year of film in my lifetime, only for that argument to be surpassed by the 2021 cumulative list of below-average movies. 2021 is the first year when none of the Best Picture nominees will be in my end-of-year top ten list. Rewatching a film like The Social Network, despite receiving a 100% review, was just my fourth favorite movie of 2010. This would have been my favorite movie in many other years. Still, with The Town (my second favorite movie of all time) and the incredible Blue Valentine and Shutter Island, even a perfect film finished outside my top three.
Heavy military boot comp movies cannot help but draw comparisons to Stanley Kubrick’s Full Metal Jacket. The groundbreaking drama showcased the great lengths that United States Military Academies sometimes go too far to “break” their recruits. Another great example is the under-appreciated but long-remembered G.I. Jane. Both films featured recruits that were not wanted (Full Metal Jacket with the obese, dimwitted Leonard “aka Gomer Pyle” Lawrence (played fantastically by Vincent D’Onofrio) in Full Metal Jacket or Demi Moore as the lone trial candidate of a U.S. Navy female integration program in G.I. Jane. A similar example is Men of Honor, the story of Carl Brashear (Cuba Gooding Jr.), the first African-American U.S. Navy Diver.
Bohemian Rhapsody, Ray, What’s Love Got to Do With It, or Walk The Line, Whitney Houston: I Wanna Dance with Somebody is not. Kasi Lemmons’s (Harriet, Talk to Me) is not even on the same level as this year’s disappointing Elvis. Naomi Ackie (Star Wars: The Rise of Skywalker, Lady Macbeth) did not encompass the legendary Whitney Houston nearly as well as Rami Malek (Bohemian Rhapsody), Jamie Foxx (Ray), Joaquin Phoenix (Walk the Line), Angela Bassett (Angela Bassett) or Angela Bassett (Elvis). Under the right direction and with the right lead, Whitney Houston: I Wanna Dance with Somebody should have at least been a lock for Best Performance by an Actress in a Leading Role. But, alas, it wasn’t meant to be.
Take a few pieces of Dunkirk, add a touch of All Quiet on the Western Front, layer in some 1917, shave in some Saving Private Ryan sprinkle, and finish it with some Letters from Iwo Jima. The result is Matthijs van Heijningen Jr.’s ( The Thing) 2020 under-the-radar masterpiece, The Forgotten Battle. This 2020 Netflix film was one that I had just heard of after completing my watch of All Quiet on the Western Front, which was another Netflix original that was equally as exceptional.