Kristin Wiig (Bridesmaids, The Skeleton Twins) got off to a bit of a late start in her movie career. Still, the hilarious Saturday Night Live alum is making up for lost time and immersing herself in as many unique roles as possible. The funniest female cast member in SNL history isn’t letting herself become typecast, like so many of her predecessors (male and female), by starring in full-length versions of the skits she performed on television. In recent years, many alumni (especially women like Amy Poehler and Tina Fey) have established themselves as legit, in-it-for-the-long-run actors, writers, directors, and producers. Many of the three names mentioned in this paragraph will rank the talents as 1) Fey, 2) Poehler, and 3) Wiig. I may be in the minority, but I say Wiig is my favorite of the three, followed closely by Fey. For me, while super-talented, Poehler is a distant third.
Category Archives: 2014
The Gambler (2014)
Rupert Wyatt’s (Rise of the Planet of the Apes, Star Trek 3) The Gambler is a movie that should have done better both with critics and at the box office. Accruing just $33 million domestically and a 46% fresh on Rotten Tomatoes, this movie deserved a better fate. Sure, it has its flaws, but 98% of all movies do. One factor against The Gambler was that it wasn’t striking the right audience. The first preview of this movie was a quick 30-second throwaway commercial during a ball game. I do not recall seeing a more extended trailer for this movie in the theater. When I saw the television commercial, it made it seem like a shoot-’em-up action flick. That’s not what it was at all.
Big Eyes (2014)
Every once in a while, I’ll see a preview for the first time that I have absolutely no interest in. The movie looks cheesy, bland, weird, and so on. But then the film earns a solid rating on Rotten Tomatoes, and I’ll read what a couple of critics who liked the movie have said about it. And then I’ll watch the same trailer again and try to watch it with a different set of eyes. And between my first and second viewing, something convinced me to give the movie a chance. With Tim Burton’s (Beetlejuice, Edward Scissorhands) Big Eyes, my chief complaint was that the film would be a little too weird for me. However, after a couple of weeks, I convinced myself I would see that movie. I hoped to catch this one in the theater (generally speaking, I am far less distracted in a theater than at home, but then again, I’m Captain Obvious with this statement). However, Big Eyes grabbed my attention from the get-go and held it through the 1-hour 45-minute viewing.
St. Vincent (2014)
Theodore Melfi’s St. Vincent, his first full-length feature film, is a movie I liked a little more than I did. Unfortunately, though it did it better than many of its predecessors, it follows a very familiar been there, done that approach. It’s no wonder that, despite some great performances (especially from its lead), it got lost in the shuffle and ultimately got shut out from any Academy Award nominations. There is only so much you can do with portraying a down-and-out lead character who hits rock bottom and then has to fight to be again. In some flicks, we see these characters have bottomed before the movie begins (Crazy Heart, The Dark Knight Rises), and in others, the characters hit rock bottom throughout the film (The Wrestler, Shame, Leaving Las Vegas). St. Vincent is more like the latter, and while some might like it better, it came nowhere close to any of the five movies I mentioned in the previous sentence. While Bill Murray (Groundhog Day, Lost in Translation) gave his best lead performance in over a decade, the film offered nothing I hadn’t seen before, and I liked the avenues each of the five movies mentioned earlier explored.
Top Five (2014)
The short. Skip Birdman. See Top Five. It’s the same movie with a couple of exceptions. Top Five has humor, is much more realistic, and you can relate to it more. It also isn’t the most over-hyped movie in the last five years. In fact, despite its 88% “fresh” rating on Rotten Tomatoes and lots of word of mouth on the street, it still surprisingly didn’t do all that well at the box office (just $23 million domestically). I did not see this movie in the theater, though it tempted me. The most significant thing going against the film was its release date. It opened on December 12th, right in the middle of when all of the big-time award movies were in the theaters. As a result, it got lost in the shuffle. If the studio could go back in time, they might have released this movie in August.