Bridge of Spies. The ultimate cure for insomnia. Okay, okay, it wasn’t that bad. It actually started great. It was also based upon a true story, so it had that going for it. But Lincoln, War Horse, and Munich were all Steven Spielberg-directed movies, and I found all three of those to be incredibly dull. I’m a huge Spielberg fan, but after doing a quick scan of his filmography, he hasn’t directed a movie I’ve liked in a decade (2005’s War of the Worlds). And I get wanting to branch off from the science-fiction/action-adventure genre that really defined him, but he seems to be missing something when it comes to these dramas. Of course, there are exceptions to the rule. Saving Private Ryan was one of the greatest movies ever made. So while I appreciate his desire to recapture the glory he achieved in a movie like that or a movie like Amistad or a film like Schindler’s List, I must then wonder why he’s wasting his time on a film like Indiana Jones and the Kingdom of the Crystal Skull. Worse, based on how poor that movie was, why was he set to direct a fifth installment of the series? Long story short, this isn’t the same Steven Spielberg of the 1980s and 1990s. There will be fans of the style of films he seems to be mainly concentrating on now (heck, Munich, War Horse, and Lincoln were all nominated for best picture), but all three of these movies (as well as Bridge of Spies) just felt long and tedious to me.
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Category Archives: 2015
99 Homes (2015)
99 Homes was a movie I was confident I was going to love. I was wrong. It was good, but not great. It had unavoidable flaws. Even with the most accomplished director, I don’t think it could have avoided some of its pitfalls and still fit in a two-hour time frame. Just like an unusually high number of films that I’ve seen this year, I knew very little about this movie going in. My knowledge of the film was reduced to knowing that it starred Andrew Garfield (The Amazing Spider-Man, The Social Network) and Michael Shannon (Take Shelter, The Harvest), that it was a heavy R-rated drama based on home foreclosures, and that it was scoring a 90% on Rotten Tomatoes at its time of release. I hadn’t seen a single preview of the movie, but what I did know about it was enough for me to see this movie. There was a 100% chance I would see this movie in the theater. While I think this is a pretty good movie, it does not need a theater viewing. It’s not going to win any awards. If you get a chance to see it on Netflix or cable, give it a shot. You may not love it, but I think it’ll grab your attention. While it is predictable and gets in its own way, it is a tense and engrossing film. Furthermore, it continues to showcase Shannon’s dominating screen presence. Love him or hate him, he creates memorable characters.
Sicario (2015)
With three months left to go in 2015, we have a new contender for the best movie of the year, and the name of that movie is Sicario. This movie is a fantastic ride that will keep you thoroughly engrossed and guessing the entire time. Like many great movies over the last couple of years, the less you know about the movie going in, the more I think you’ll like this movie. For me, this has been the case recently with films like Ex-Machina, The Drop, The Gift, and Chef. All of these were surprises, and each is a movie that I plan on watching again in the future. The same can be said about Sicario. Once you know how the movie ends, you’ll want to watch it again to try and see it again through a new set of lenses. It’s intense. It’s filled with drama. It will leave you with your mouth hung ajar. That is if you let it. This is a movie where you need to pay attention. If you doze off for even a couple of minutes, you might miss something important. If you miss something important, you might feel lost. If you feel lost, you might get frustrated. But if you are willing to work as hard as the movie does, you’ll be rewarded with one of the most exciting, well-crafted, and original movies that you are likely to find this year (or any year for that matter).
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The Martian (2015)
Fans of the self-published debut novel will not be disappointed by Ridley Scott’s (Alien, Gladiator) adaptation of Andy Weir’s The Martian. This is a good movie that should be viewed in 3D on the largest screen that you can see it on. While it doesn’t come close to delivering the same experience as Gravity or even Interstellar, it is one of the rare movies that truly benefits by being seen in 3D. Before I get into this review, I want to mention that I will try to write it from the standpoint of someone who has not read the fictional novel as best as I can, as I know this is something that most people have not read. With that said, I will refer to the novel. I will also give some spoilers, but I will provide notice before diving into any of these. If you read around the paragraphs marked spoilers, you will be okay with reading this review before seeing this movie. The Martian is a very good movie, but it is not great. I was not disappointed by it. If I hadn’t read the novel, I think that maybe the trailers and the hype would have left me wanting more. This movie currently sits as my #6 movie of 2015, but I think there is less than a 1% chance it will finish in my end-of-year top 10. It didn’t have the emotional impact Gravity had, nor does it have the What did I miss? I need to watch this movie again type of feeling Interstellar had. Also, as I will mention, something was missing overall from the performances especially considering that Scott landed the cast of the year. While I will heavily critique this movie, I again want to say that I really liked the movie. It was a very good adaptation of the book. It held my interest throughout its 2 hour and 14-minute time frame.
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The Visit (2015)
M. Night Shyamalan (Signs, The Sixth Sense) is no longer the master of terror. He seems to get progressively worse with each film. There are exceptions for some people, I think. For example, I liked The Village more than I did Unbreakable, and while other people panned The Happening, I thought it was okay. However, there is no denying that the man is a fraction of his former self. While he no longer deems it necessary to have a twist in every movie, his last few movies, especially Lady in the Water, The Last Airbender, and After Earth, have been dreadful. With The Visit, a film he both wrote and directed, he tries something new. It fails. Miserably. At least for me, it did. There is an audience for it, evidenced by its $25 million in its opening weekend alone and a 59% fresh rating on Rotten Tomatoes. But those who remember the masterful Shyamalan from 1999-2002 are not the same people who will enjoy this. The Visit seems to be a mixture between The Blair Witch Project, Paranormal Activity, Funny Games, The Strangers, and Goosebumps. I’ll admit that this was the second movie of a Bryan Buser double and that it was the only movie that matched up when my first movie ended. I saw the film by default, and I was prepared to walk out at any point. I anticipated it. However, there was something about it early on that kept me interested. And then, when I looked at my watch, and I was already 30 minutes into a 90-minute movie, I knew I would stick it out.
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