Once Upon a Time in Hollywood is arguably my favorite Quentin Tarantino’s (Inglorious Bastards, Django Unchained) movie. However, that isn’t saying a lot since he is not one of my favorite directors out there. I admit that there is an audience for his movies. I’m just not a part of that audience. For me, his films are too often over the top, are loaded with extreme and unneeded violence, and contain the foulest language you’ll hear from a big-budget movie any year that one of his movies was released. Once Upon a Time in Hollywood was FAR different than his previous eight films. The story was not over the top. The cursing, while present, was used to accent a verbal exchange rather than serve as the root of it. And outside of a 10-15 minute sequence, there wasn’t any over-the-top violence. This movie was long and a bit boring, but it wasn’t bad. It also had excellent acting performances.
Category Archives: 2019
Crawl (2019)
In the tradition of other monster movies such as The Meg, Piranha 3D, Lake Placid, and Anaconda, where the beasts of nature wreak havoc on the community, comes Alexandre Aja’s (High Tension, The Hills Have Eyes) Crawl. This movie is a lot of fun. And by this, by no means am I suggesting it is perfect. It is far from perfect. However, it is a good escape film built around horror.
Rocketman (2019)
Dexter Fletcher’s (Sunshine on Leith, Eddie the Eagle) Rocketman will be compared to 2018’s Bohemian Rhapsody. So, I will get that comparison out of the way early. And it’s pretty easy. There is no real comparison. Bohemian Rhapsody was a sound accomplishment in acting, directing, sound mixing, sound editing, cinematography, and more. It created a new audience of music lovers of the band Queen. It reacquainted fans of the band with the music and, for many, reminded them of why they loved the music, the band, and the man (Freddy Mercury) who provided the vocals for all of their songs.
Long Shot (2019)
Long Shot is a terrible title for a not-so-terrible movie. I won’t mention too much more about the title other than to say that it’s a difficult title to remember and to associate with a film about a Secretary of State (who isn’t really a long shot) and her political campaign and run for the presidency after the incumbent president decides that he won’t be seeking reelection. Nevertheless, Jonathan Levine’s political rom-com (50/50, The Night Before) packs in the laughs while cutting into today’s political landscape just enough to be edgy but not so over the top that it will divide audiences. Long Shot may not be remembered for its title. Still, it will be remembered for its intelligent, timely writing, witty banter, crunch-worthy predicaments, and solid performances from its two leads.
High Life (2019)
2001: A Space Odyssey, Moon, Prometheus, The Martian, Interstellar, Life, First Man, Passengers, Solaris, Alien, Apollo 13, Gravity, it is not. Claire Denis (Chocolat, Friday Night) ambitiously ventured into outer space territory, a territory she had previously not explored, and found herself with a movie that was hard to appreciate, very difficult to enjoy, and left you with a million burning questions, most of which you would never care if they were ever answered or not. I give Denis credit for ambition, just as I gave Alex Garland credit for in Annihilation, a movie that if you enjoy, you might also enjoy High Life. But much like that movie, its plausibility was tossed out the window from the start, and its uneven semblance left you looking at your watch more than it did trying to find answers.