Category Archives: Year of Release

Gold (2017)

Matthew McConaughey (Dallas Buyer’s ClubMud) stars as a balding, crooked-toothed, potbellied Nevada gold prospector in a movie that, without his acting talent, would have been completely sifted through the Hollywood stream of consciousness. Instead, while flawed, Stephen Gaghan’s (Syriana, AbandonGold is a watchable experience that takes audiences on a wild goose chase along with most of its stars. It ultimately makes the destination an endpoint and the journey worthwhile.

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Rocketman (2019)

Dexter Fletcher’s (Sunshine on Leith, Eddie the EagleRocketman will be compared to 2018’s Bohemian Rhapsody. So, I will get that comparison out of the way early. And it’s pretty easy. There is no real comparison. Bohemian Rhapsody was a sound accomplishment in acting, directing, sound mixing, sound editing, cinematography, and more. It created a new audience of music lovers of the band Queen. It reacquainted fans of the band with the music and, for many, reminded them of why they loved the music, the band, and the man (Freddy Mercury) who provided the vocals for all of their songs.

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Long Shot (2019)

Long Shot is a terrible title for a not-so-terrible movie. I won’t mention too much more about the title other than to say that it’s a difficult title to remember and to associate with a film about a Secretary of State (who isn’t really a long shot) and her political campaign and run for the presidency after the incumbent president decides that he won’t be seeking reelection. Nevertheless, Jonathan Levine’s political rom-com (50/50, The Night Before) packs in the laughs while cutting into today’s political landscape just enough to be edgy but not so over the top that it will divide audiences. Long Shot may not be remembered for its title. Still, it will be remembered for its intelligent, timely writing, witty banter, crunch-worthy predicaments, and solid performances from its two leads.

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Forrest Gump (1994)

It’s hard to think that in a three-year span, Tom Hanks (Big, Saving Private Ryan) went from playing an HIV-infected, highly successful business person who, despite being sick, filed a wrongful dismissal suit against his former employer (Philadelphia) to playing a man with an IQ of 75 who you manages to involve himself in just about every major American event between 1950 and 1980 (Forrest Gump) to the lead astronaut in the suspenseful true story landing of the Apollo 13 lunar mission when, after an oxygen tank explodes, the crew experiences numerous technical issues and tension with each other and the NASA base which, in turn, threatens their survival and safe return to earth (Apollo 13). This would be a defining career for many actors had they not appeared in other movies, but this was merely a three-year span (granted his most incredible three-year span) in Hanks’ career.

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Gone Baby Gone (2007)

Ben Affleck’s (ArgoThe TownGone Baby Gone is a classic film if you watch it once. But then comes the age-old question, “Does a movie stand the test of time?” And the answer to the question for this film is “I think so.” By this, I’m referring to the fact that if you watched it today for the first time, you would likely feel the same sentiments I felt on my first watch. You would think that it is an instant gem. But there are better movies for repeat viewings. Some films are great the second, third, and fourth time around. Gone Baby Gone is not one of those films. It’s a bit frustrating on repeat viewings. But I will ignore my most recent viewing of this film and write it from the standpoint that I had just seen it for the first time because that is the review it deserves.

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