Swan Lake director Thomas Leroy (Vincent Cassel – Eastern Promises, Oceans 12) welcomes his production company for the upcoming season with the following little story.
“We all know the story. The virginal girl who is pure and sweet but trapped in the body of a swan. She desires freedom, but only true love can break the spell. Nearly granted is her wish in the form of a prince. But, before he can declare his love, the lustful twin, the Black Swan, tricks and seduces him. Devastated, the White Swan leaps off a cliff, killing herself and, in death, finds freedom”.
It’s short and simple, and we all understand it. And it’s the basis of Leroy’s ballet. As Thomas tells this story to his attentive company, he taps a few females on the shoulder. One of these women will replace an aging Beth (Winona Ryder – Edward Scissorhands, Girl, Interrupted) as the prima ballerina for the opening production of their new season, Swan Lake. Nina (Natalie Portman – The Other Boleyn Girl, Closer ) is one of the girls who is tapped and ultimately awarded the role.
After seeing an episode of I Shouldn’t Be Alive a few years ago that showed the story of Aron Ralston, the adventure seeker who got his arm pinned between a boulder and a rock wall and managed to survive, I didn’t know if there was a need for a full-length feature film. I figured that the only way that Danny Boyle’s (Slumdog Millionaire, Yesterday)127 Hours would be able to affect me was if there was a masterful lead acting performance, some stylish directing, or a combination of the two. Fortunately, that was precisely what happened.
I am the first to admit that I am not as big a fan of Joel and Ethan Coen-directed movies as most people are. While I did enjoy Fargo (1996) and A Single Man (2009), I wouldn’t say I liked Miller’s Crossing (1990) and Barton Fink (1991). While I thought No Country for Old Men was pretty good, it was not close to being the best movie from 2007. Then there are the other Coen-directed movies I would prefer to see. These include Burn After Reading (2008), The Ladykillers (2007), Intolerable Cruelty (2003), or O Brother, Where Art Though? (2000). I appreciate a good Western. Once True Grit was nominated for a Best Picture Academy Award, it became a no-brainer that I saw the movie, despite my reservations about the Coens.
Lisa Cholodenko’s critically acclaimed 2010 film The Kids Are All Right shows that the rawest of human emotions cannot be limited to age, race, gender, disability, social status, or, as is the case in this movie, sexual orientation. In this movie, Nic (Annette Bening – 
Watching Mel Gibson as a loving father gone raging madman in Martin Campbell’s (Casino Royale, The Mask of Zorro) 2010 Edge of Darkness doesn’t seem as much a stretch of the imagination as it might have seemed a few years ago. In his first starring role since 2002’s Signs, Gibson plays Thomas Craven, a detective of the Boston Police Department and a single father of one. After Craven witnesses the killing of his 24-year-old daughter Emma (Bojana Novakovic), murdered on the steps of his own by a drive-by shooter, he becomes obsessed with finding out who killed his daughter and, more importantly, why. This movie was a modest success both with critics and with audiences. Still, it made over $100 million less than the 2008 Liam Neeson movie Taken, which is similar in plot but delivers the goods and has you rooting for Neeson. This is more than you can say for Gibson’s character.