Nate Parker (Beyond the Lights, Non-Stop) made his big-screen debut back in 2006, but a decade later, many moviegoers might not be able to pick him out of a lineup. However, that’s all about to change. The incredible The Birth of a Nation is about to launch Parker into the next tier of not just actors but also directors and screenwriters. I’ll be the first to say that I didn’t know who Parker was, but it might be time for me to go back and watch some of the movies on his filmography. Not only did Parker give an Oscar-worthy leading actor performance, but he also directed and wrote this film that, somehow, is flying under the radar. Parker knocked this movie out of the park. The 79% rating it is currently receiving on Rotten Tomatoes is quite respectable (especially for a movie based on a true event, but one that even Parker described as reality-based fiction), but I have seen almost no promotional materials for this movie. It opened the same weekend as Girl on the Train, which may have received as much publicity as any other movie released in 2016 so far.
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Category Archives: Year of Release
Deepwater Horizon (2016)
If you’re going to make a big-budget disaster movie, it might as well be based on a true story. Personally, I’m so over the huge blockbuster disaster movies like The Day After Tomorrow, Poseidon, Independence Day, The Core, Volcano, Into the Storm, Armageddon (which I actually really like), San Andreas (which I also kind of liked), Dante’s Peak…the list goes on and on. The point of these movies, and so many others, is to make a big buck. Forget about the plausibility; most of these movies are utterly ridiculous. The hero(es) always overcome the most extreme circumstances and, often, end up saving the world in the end. Now while the 2010 disaster caused the worst offshore oil spill in United States history and made British Petroleum (BP) the most villainous company on the face of the planet at the time, the story of Deepwater Horizon does take some liberties along the way. While the unfortunate events on that night of April 10th certainly did happen, the events on that rig felt very much like James Cameron’s Titanic after the ship hits the iceberg.
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The Magnificent Seven (2016)
I’m starting to think that Hollywood is either completely out of original ideas or knows that they are guaranteed a minimum hundred million dollars at the box office if it remakes a movie and has a starting cast of Hollywood A-listers. There is absolutely no reason why The Magnificent Seven needed to be remade. I have not seen the first one, but I imagine it was probably a pretty good movie when it was made…56 years ago. There have not been many great westerns produced in this century and, while they were good, most of them have been remakes (3:10 to Yuma, True Grit). There have been others (The Assassination of Jesse James by the Coward Robert Ford, The Three Burials of Melquiades Estrada, The Homesman). Still, there really haven’t been many in this genre of films when compared to others. While I appreciate a good western (Young Guns was my number one movie of all time from when I was 15 until I was about 25), I dislike a bad western just as much as I dislike a poor movie in other genres. And while I wouldn’t necessarily call The Magnificent Seven a poor movie, I definitely would call it an unneeded one. Unless you love westerns, there’s no need to see this movie. This absolutely is a movie that you don’t need to see on the big screen.
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Snowden (2016)
I did not see 2015’s Citzenfour documentary about Edward Snowden. Had I, I might not have appreciated Oliver Stone’s (Platoon, Born on the Fourth of July) biopic as much as I did. I think part of the reason I was such a big fan of Snowden was that I knew very little about it before my viewing. Sure I knew of Wikileaks and learned a lot from the news, but I didn’t pay. Snowden went from your everyday no name to one of the most controversial figures of this century. Now, if you think this movie will be completely neutral, you don’t know Oliver Stone very well. Heck, this was the same man who directed JFK. His approach has always been very anti-government, and with Snowden, it’s no different. While I haven’t loved all of his movies (Nixon, W., Alexander, Savages, even JFK wasn’t really my thing), there are certainly more than I do like. Platoon and Born on the Fourth of July are incredibly amazing, while other movies such as Natural Born Killers and Wall Street were revolutionary. Snowden might be my third favorite. Snowden was definitely softer in tone and, maybe even the scope, but was, by no means, less controversial. I don’t have a lot of complaints about the movie itself. Some people said it was too long. I did not feel that way. My only problem with it is that it didn’t make Ed Snowden as controversial as he was. Instead, it made it seem that whistleblowing on his country was the right and noble thing to do. For some, maybe most, it may have been. But what we weren’t really shown was the “other side” of the story. Nonetheless, it was an enjoyable film that gave a great backstory for why he did the things he did.
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Sully (2016)
Two days after seeing the best lead actress performance I have seen so far in 2016 (Alicia Vikander – The Light Between Oceans), I saw the best performance by a lead actor so far this year in Tom Hanks’s (Forrest Gump, Captain Phillips) portrayal of Chesley “Sully” Sullenberger in Clint Eastwood’s (American Sniper, Mystic River) Sully. While 2016 has been a major letdown for movies through its first eight months, Sully, at least, gives promise that you are guaranteed one fantastic film and hope that there will be many, many more as Oscar season approaches (Manchester by the Sea, La La Land, Fences, Nocturnal Animals, Loving, Billy Lynn’s Long Halftime Walk to name a few). 2016 has proven and will continue to prove that it is a year like no other since I began this blog back in 2010. Through its release date (September 9), Sully is, hands down, the best movie of 2016 and the only one that I feel 100% confident will stay in my top 10 after I’ve seen all of the big movies of 2016.
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