The Light Between Oceans was a terribly flawed movie that is very likely to bore many, if not most, of its moviegoers. This was evidenced by the guy sitting behind me who was sawing logs for the entire second half. But I am a sucker for broken relationship movies caused by some sort of strife, and that’s exactly what I got here. The only thing I knew about this movie was that it was about a couple living on a small island while he managed a lighthouse and that they found a baby in a boat they took as their own after she suffered a series of miscarriages. I actually wish I had gone in knowing nothing about this movie at all. All I needed to know was that it was a heavy drama, that it featured one of my favorite actors (Michael Fassbender – Shame, Steve Jobs), one of the next great actresses of our time who absolutely arrived on the scene with two massive performances in 2015 (Alicia Vikander – Ex Machina, The Other Danish Girl), and the director of one of my favorite movies of all-time (Derek Cianfrance – Blue Valentine, The Place Beyond the Pines). That enough would have gotten me in the theater. And that is enough for me to give this a positive review despite a story that had much promise but had some uneven turns and ultimately led to characters making decisions that didn’t make a whole lot of sense. What I loved most about this movie (which will be the focus of this review) is how two different people can face the same ethical dilemma and how the decision can eat one person up so much that they almost can’t live with themselves. In contrast, the other person can continue living their life peacefully as if the decision they had to make was whether to have sausage or pepperoni on their pizza the night before.
Category Archives: Year of Release
Me Before You (2016)
I saw Me Before You back in 1991. It was called Dying Young, and Julia Roberts was the star. It stunk. I am completely joking, but I promised myself I would use this as the first line of this review regardless. The truth is I didn’t see Dying Young until 2005. That part is actually true, but the real truth is that these movies aren’t even in the same league. Dying Young wasn’t as poor as I thought it would be, but I really don’t remember much about it. On the other hand, Me Before You was an extremely profound movie that I will remember from years on out. And I also believe it is a movie that showcased the range of Emilia Clarke (HBO’s Game of Thrones) and firmly planted her as a leading actress for the next 10-15 years. The film also introduced Sam Claflin to the rest of the world that has not seen The Hunger Games franchise, where he played the role of Finnick. Before I get firmly into the nuts and bolts of this review, I want to state that I was blown away by every aspect of this tear-jerker. While it was clearly designed to tug at our heartstrings, it felt completely authentic. It was carried by an absolutely superb performance by Clarke and backed up heavily by Claflin, who did just enough to play second fiddle. I remember seeing Brooklyn last year. Brooklyn was a movie that I adored, but I couldn’t understand it when I could hear the sniffling and see the watery eyes of all those sitting near me. In Me Before You, I understood it completely. There are a few quick and funny tidbits related to this movie that I thought I’d share:
- I thought this was another movie based on a Nicholas Sparks book.
- I kept getting this movie confused with Love & Friendship, the Jane Austin novel adapted for the big screen that came out around the same time as Me Before You. But, as I look at these two movies now, the only comparison was that I was convinced I wouldn’t see either movie at the time of their release.
- I was talking to a co-worker about Me Before You, and she basically spoiled the moving, telling me that she didn’t want to ruin it for me, but continuing to do so.
Free State of Jones (2016)
With his scraggly beard, yellow teeth, foreboding scowl, and deliberate limp, Matthew McConaughey’s (Amistad, A Time to Kill) portrayal of Newt Knight, a poor white farmer who led an extraordinary rebellion during the Civil War, is a far cry from the same man who was pigeonholing his career a decade earlier by playing the same character over and over in hit or miss romantic comedies like How to Lose a Guy in 10 Days, Failure to Launch, The Wedding Planner, Fool’s Gold, and The Ghosts of Girlfriends Past to name a few. McConaughey reinvented himself three or four years ago and re-established himself as a dramatic leading man with the likes of The Lincoln Lawyer, Interstellar, HBO’s True Detective, Killer Joe, Mud, and Dallas Buyer’s Club, for which he won Best Performance by an Actor in a Leading Role at the 2014 Academy Awards ceremony. While he’s had his misses recently (has anyone even heard of 2016’s The Sea of Trees?), he has continued to have the ability to pick and choose his movies, and, unlike his string of romantic comedies, he continues to branch himself out further and further.
Continue reading Free State of Jones (2016)
The Hunt (2013)
Mads Mikkelsen is most notably known as a villain. Whether you recognize him more as the man opposing James Bond in Casino Royale or as Hannibal Lecter on NBC’s hit show Lecter, he’s very adept at playing the bad guy. But, in the most poignant performance of his career and one that earned him praise across the globe, Mikkelsen stars as Lucas, a kind and gentle daycare employee falsely accused of molesting one of his students in the Danish film and Academy Award-nominated foreign language film The Hunt. I struggle with movies that are subtitled. My philosophy often is if I can view a good movie in English or one that is in another language that will force me to spend a couple of hours reading while also trying to pay attention to the visuals on the screen, why wouldn’t I pick the movie in my native language? Unless a movie (or one of its leads) is nominated for an Academy Award (Amour, Maria Full of Grace), is recommended by a friend (The Lunchbox), or doesn’t have an English substitute (North Face), I’m probably not going to give it a chance. It’s not because I think that those movies will be bad. Like everyone, I have a job and many other hobbies, and, frankly, time is limited. However, when a foreign language film does breakthrough, and it is one that I think is well made, it is a film that I am likely to remember for a long, long time, if not for the rest of my life. This was certainly the case with The Lunchbox and North Face and is also the case with The Hunt.
Continue reading The Hunt (2013)
The Shallows (2016)
Congratulations to all associated with, what will be, the biggest surprise moneymaking movie of 2016. Jaume Collet-Serra’s (Non-Stop, Run All Night) The Shallows will have used a highly successful marketing campaign (which included showing its terrifying trailers during sporting events and popular primetime television shows) along with positive scores from the critics (75% fresh on Rotten Tomatoes) on its way to making, my guess, more than $300 million worldwide by the time everything is said and done. This will make The Shallows the biggest non-superhero, non-G-rated movie to be released in the first half of 2016. Of course, it’s exactly everything you would expect it to be, and, for a majority of its audience, that will be perfectly fine. If you want an escape from reality fare, this could be the movie for you. If you want to take your thinking cap off for an hour and a half, this could be the movie for you. If you want a movie that builds upon every single scene in its quest to terrify you, this could be the movie for you. Even if you are looking for a movie with beautiful cinematography, this could be the movie for you. But if you are looking for something that is even the slightest bit believable or you care about any top-of-quality acting in your lead or sub-characters, The Shallows most certainly is not your movie.
Continue reading The Shallows (2016)