With apologies to the extremely funny The Campaign, first-time co-director John Morris and Sean Anders’s (Horrible Bosses 2, Sex Drive) Daddy’s Home is, ironically, Will Ferrell’s (Old School, Step Brothers) best-starring comedy role since 2010’s The Other Guys. It’s not a movie I thought I would particularly like and one that I had serious doubts about as much as 20 minutes in (I hadn’t laughed, but maybe one time), but as the movie progressed, it got funnier and funnier. By its conclusion, it became a somewhat memorable movie I wouldn’t put on the “A-shelf” comedy list but might find itself just a notch below. What made the movie work was the dynamics between Ferrell and Mark Wahlberg (Lone Survivor, The Fighter), who didn’t have the same chemistry they had when they teamed partners in the buddy cop, The Other Guys, but were still pretty close. While Daddy’s Home was 100% entirely predictable, it didn’t make it any less fun, and while Ferrell and Wahlberg weren’t exceptionally fantastic in the scenes where they weren’t together, it more than made up for the scenes where they shared screen time.
Category Archives: Year of Release
Triple 9 (2016)
Suppose you watched season 1 of HBO’s True Detective, and you were as much of a fan of the six-minute single-shot shootout scene that ended episode four (titled Who Goes There) as I was. You might like John Hillcoat’s (The Road, Lawless) underappreciated Triple 9 in that case. Likewise, if you watch Game of Thrones and found the intense battle between the Jon Snow-led wildlings and the white walkers at the end of season five, episode eight (titled Hardhome) as the best single scene in the history of the show, you might just very well like the star-studded Triple 9. If I had trusted my instincts and not those of the critics, I would have been able to appreciate this gem of a popcorn flick on the big screen. Instead, I let the movie pass through the theaters, knowing I would see it eventually at home, but convincing myself that, despite the awesome previous, I would be disappointed by this movie.
The Nice Guys (2016)
“Nice Guys Finish Last.” That’s a saying we’ve all heard before. The grunge band Green Day wrote an iconic song about it in the mid-1990s. I’ll alter the quote slightly by saying that The Nice Guys finishes last. This was not my favorite movie. I knew I would probably feel this way going into the film, but I was willing to sacrifice the two hours because it starred two of my favorite actors, Ryan Gosling (Blue Valentine, Drive) and Russell Crowe (Gladiator, A Beautiful Mind). Despite its 90% fresh rating on Rotten Tomatoes, I had no faith in this movie. Its style wasn’t my favorite. Shane Black (Iron Man 3, Kiss Kiss, Bang Bang) style for directing this movie was similar to that of Joel and Ethan Coen in that it blended comedy, drama, action, dark comedy, crime (both organized and unorganized), and even small bits of horror to try to come up with a unique idea. Was The Nice Guys a unique idea? No, not really.
Captain America: Civil War (2016)
Captain America: Civil War is perhaps the greatest superhero movie that Christopher Nolan has not directed. My two favorite superhero movies (The Dark Knight and The Dark Knight Rises) belong to him. As of this post, my third favorite is a toss-up between Batman Begins, Iron Man, and Captain America: Civil War. Others (such as The Amazing Spider-Man, Iron Man 2, Captain America: The Winter Soldier, etc.) are up there, but there is clearly a distinction between the top 3 or 4 and all of the others. I hope superhero movies continue to improve, but unfortunately, we get 3 to 4 bad ones for every good one. So when we get a film like Captain America: Civil War, it’s important to take pause, see it, praise it, and encourage more movies like it because we know that poor movies will continue to be made because all of them seem to gross over $100 million easily. And the reason they do is our fault. We continue to see these terrible movies. But that is a different story for a different day.
The Hours (2002)
Oh, man, what a fantastic movie is. This was my second viewing of The Hours. I first watched it in 2010 and remember being extremely surprised by how much I enjoyed it. I would not have given this movie a chance back when it came out in 2002, but my interest in films has changed dramatically since then. Now, that’s not to say I still can’t enjoy a blockbuster (I watched Captain America: Civil War earlier in the same day and loved it). Still, I am much more into the human aspect of independent dramas like The Hours than I am about action movies or comedies. This movie deals with depression, a topic that I am, unfortunately, very familiar with. It does it from three different periods with three stories that are sometimes loose (and not so loosely) during others. This movie knotted Nicole Kidman (Cold Mountain, Rabbit Hole) with, surprisingly, just her third nomination to date (as of May 2016) and her first and only win. With a prosthetic nose, she was virtually unrecognizable as Virginia Woolf. But it wasn’t her physical characteristics that stood out. It was how she immersed herself in the role of a woman who you would think had it all but was so mentally troubled that she could not find any happiness in her life. An accomplished actress, this is the performance of her career in a movie that shouldn’t be missed by anybody who views life with a cup-half-empty sort of mentality.