Category Archives: Year of Release

Steve Jobs (2015)

The much anticipated Steve Jobs exists so much as a single entity that we may forget that the 2013 Ashton Kutcher Jobs movie ever existed. Steve Jobs has been a much bigger hit with critics (85% fresh on Rotten Tomatoes versus 27% rotten) and audiences (the 2015 movie earned more than half of what the 2013  movie grossed in its first week alone). While neither Kutcher nor Michael Fassbender (Shame12 Years a Slave) looks anything like the actual former CEO of Apple, Fassbender is a much more credible dramatic actor than Kutcher ever will be. That is reason enough to give Steve Jobs the nod over Jobs if you debate which one to watch. This review will not compare the two movies as I have not seen Kutcher’s Jobs, and I have no desire to see it. For whatever reason, I wasn’t looking as forward to the Fassbender vehicle as I thought I would have been, and it turns out that trepidation was justified. Steve Jobs was a very average movie that I can only recommend with the caveat that, while you might like it, you aren’t going to like it as much as you were hoping to like it.
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Horrible Bosses 2 (2014)

Horrible Bosses wowed audiences ($117 million) and won over most critics (69% fresh on Rotten Tomatoes) in the summer of 2011. The unlikely comedy starred three guys in their late 30’s/early 40’s who absolutely hated the bosses they worked for so much that they plotted ways to get even with them for making their work lives so miserable. With an unlikely group that had TWO Best Actor Academy Award (Kevin Spacey, Jamie Foxx) winners from the last fifteen years signed on as supporting characters, this cast was a list of who’s who in Hollywood. The movie is hilarious and is very much worth a view. It seems, however, that the same critics who lauded the Horrible Bosses seem to be the same ones crushing Horrible Bosses 2 (just 35% fresh on Rotten Tomatoes). While I wouldn’t go so far as to say the sequel was better than the first one, it was comparable in terms of laughs. While the formula is the same, the jokes are new and original, and the payoff is just as good as the original. With that said, I hope that this franchise quits while it’s ahead. I could see a potential Horrible Bosses 3 resulting in an utter disaster.
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Bridge of Spies (2015)

Bridge of Spies. The ultimate cure for insomnia. Okay, okay, it wasn’t that bad. It actually started great. It was also based upon a true story, so it had that going for it. But LincolnWar Horse, and Munich were all Steven Spielberg-directed movies, and I found all three of those to be incredibly dull. I’m a huge Spielberg fan, but after doing a quick scan of his filmography, he hasn’t directed a movie I’ve liked in a decade (2005’s War of the Worlds). And I get wanting to branch off from the science-fiction/action-adventure genre that really defined him, but he seems to be missing something when it comes to these dramas. Of course, there are exceptions to the rule. Saving Private Ryan was one of the greatest movies ever made. So while I appreciate his desire to recapture the glory he achieved in a movie like that or a movie like Amistad or a film like Schindler’s List, I must then wonder why he’s wasting his time on a film like Indiana Jones and the Kingdom of the Crystal Skull. Worse, based on how poor that movie was, why was he set to direct a fifth installment of the series? Long story short, this isn’t the same Steven Spielberg of the 1980s and 1990s. There will be fans of the style of films he seems to be mainly concentrating on now (heck, MunichWar Horse, and Lincoln were all nominated for best picture), but all three of these movies (as well as Bridge of Spies) just felt long and tedious to me.
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99 Homes (2015)

99 Homes was a movie I was confident I was going to love. I was wrong. It was good, but not great. It had unavoidable flaws. Even with the most accomplished director, I don’t think it could have avoided some of its pitfalls and still fit in a two-hour time frame. Just like an unusually high number of films that I’ve seen this year, I knew very little about this movie going in. My knowledge of the film was reduced to knowing that it starred Andrew Garfield (The Amazing Spider-Man, The Social Network) and Michael Shannon (Take ShelterThe Harvest), that it was a heavy R-rated drama based on home foreclosures, and that it was scoring a 90% on Rotten Tomatoes at its time of release. I hadn’t seen a single preview of the movie, but what I did know about it was enough for me to see this movie. There was a 100% chance I would see this movie in the theater. While I think this is a pretty good movie, it does not need a theater viewing. It’s not going to win any awards. If you get a chance to see it on Netflix or cable, give it a shot. You may not love it, but I think it’ll grab your attention. While it is predictable and gets in its own way, it is a tense and engrossing film. Furthermore, it continues to showcase Shannon’s dominating screen presence. Love him or hate him, he creates memorable characters.

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Sicario (2015)

With three months left to go in 2015, we have a new contender for the best movie of the year, and the name of that movie is Sicario. This movie is a fantastic ride that will keep you thoroughly engrossed and guessing the entire time. Like many great movies over the last couple of years, the less you know about the movie going in, the more I think you’ll like this movie. For me, this has been the case recently with films like Ex-MachinaThe DropThe Gift, and Chef. All of these were surprises, and each is a movie that I plan on watching again in the future. The same can be said about Sicario. Once you know how the movie ends, you’ll want to watch it again to try and see it again through a new set of lenses. It’s intense. It’s filled with drama. It will leave you with your mouth hung ajar. That is if you let it. This is a movie where you need to pay attention. If you doze off for even a couple of minutes, you might miss something important. If you miss something important, you might feel lost. If you feel lost, you might get frustrated. But if you are willing to work as hard as the movie does, you’ll be rewarded with one of the most exciting, well-crafted, and original movies that you are likely to find this year (or any year for that matter).
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