One of my life’s little joys is seeing a listing of a previously unheard-of movie playing at one of my local theaters when I’m scanning over showtimes on a Friday as I plan for my weekend. The promotional poster is often enough for me to click and learn more. I’m even more intrigued when there are high critic and audience scores. The promotional poster and the scores encourage me, if nothing else, to watch the trailer. That was what I did with John Patton Ford’s debut feature. It took just 30 seconds before I stopped the trailer. I was convinced. Emily the Criminal was a movie that I needed to see.
The Black Phone (2022)
With its first scene set at a little league baseball game in a small town on the outskirts of 1978 Colorado (knowing that some frightful elements will emerge throughout the film), The Black Phone may feel eerily similar to one of your favorite Stephen King novels. And if it does, it should, as the movie is based upon a novel by King’s son, Joe Hill. In addition, director Scott Derrickson (Doctor Strange, The Exorcism of Emily Rose) reunites Ethan Hawke for the first time since 2012’s well-received horror Sinister.
Assault on Precinct 13 (1976)
It feels rare when the same person likes an original movie and its remake. Often, it seems like if a person likes the original, they are resistant, even disgruntled, to giving the remake a chance. I am the first to say that I fall into this group. Two of the biggest ones are the remakes of Point Break (2015 – 11% critics, 29% fresh on Rotten Tomatoes) and Flatliners (2017 – 4%, 32%), two of my all-time favorite movies. Likewise, there are times when we watch the remake without ever having seen the original. We like the remake so much that we don’t want to see the original because we either don’t feel the need or think it can be compared.
A Journal for Jordan (2021)
A Rotten Tomatoes 39% critics score and a 95% audience score. That seems about right for the optimistic yet somber, audience-pleasing A Journal for Jordan, Denzel Washington’s (Antwone Fisher, Fences) fourth directed movie and first collaboration with fan-favorite Michael B. Jordan (Creed, Black Panther). This movie felt flat and disjointed, yet I could easily understand the enjoyment some might feel if they were interested in watching an evolving love story. Unfortunately, this film would have been better suited as a made-for-television movie than a movie with aspirations of anything more.
Infinite Storm (2022)
I love a good survival film. Before starting a recent movie, the trailer for Małgorzata Szumowska’s (Never Gonna Snow Again) Infinite Storm instantly caught my attention. After watching the first half of the adrenaline-inducing preview, I closed my eyes and plugged my ears for the rest. I had seen enough to know that this was a movie that I wanted to see, and I didn’t want anything more to spoil that future experience. Infinite Storm surprised me. While it didn’t have nearly the extended intensity that the preview suggested, it also didn’t follow a predictable formula that would have left this movie lost in the shuffle compared to other survival movies. While a decent film with heartfelt ambition, Infinite Storm failed to wow and was doomed by a lousy script.