Dark. Mysterious. Unsettling. Romantic. Poetic Prophetic. Andrew Haigh’s (Leon on Pete, 45 Years) All of Us Strangers is an imaginative, transcendent love story with two Oscar-deserving actors portraying empathetic characters searching desperately for human connection. This idyllic love story gives a glimpse from its first scenes that our two leads are destined for something beautifully tragic.
Poor Things (2023)
Give Emma Stone (La La Land, Battle of the Sexes) this year’s Oscar for Best Actress in a Leading Role. This category is going to be STACKED for 2023-released, eligible movies. With six weeks left before the nominations, I have seen all films perceived as frontrunners. Lily Gladstone (Kill of the Flower Moon) was the thought-to-be shoo-in for most of the year heading into the fall. Gladstone delivers an award-deserving performance. However, I would rather see her considered in the Best Actress in a Supporting Role category, where I think that performance fits better (at the time of this post, it is still being determined which category Gladstone will be submitted for. The others expected to be in consideration for Best Actress in a Leading Role are Greta Lee (Past Lives), Carey Mulligan (Maestro), Margot Robbie (Barbie), and Sandra Hüller (Anatomy of a Fall). Each is deserving of a nomination. No one in this group has a chance to beat Stone or Gladstone. Stone is my pick to win.
Maestro (2023)
Each year, a handful of movies are made in a way that is less interested in audience consumption or interest and more in earning awards. The term for this is “Oscar bait.” The 2023-released movie most associated with this term is Bradley Cooper’s (A Star Is Born) sophomore directorial effort, Maestro. It will earn a few Oscars. Cooper might even earn one for Best Director. He’s likelier to earn one for Best Lead Actor for portraying the title character, Leonard Bernstein.
The Iron Claw (2023)
Talk about a gut punch of a movie. As a pro wrestling fan, I’ve known of the tragedy of the Von Erich family for years. However, while I know of the circumstances around each of the brothers, I was only familiar with the one brother who made it to the World Wrestling Federation (WWF, now World Wrestling Entertainment – WWE). Kerry Von Erich had a two-year run as The Texas Tornado in the early 90s. His time in WWF was when I was getting into pro wrestling, and The Texas Tornado was one of my favorites. A biopic about the Von Erich family had been in talks for years before Sean Durkin’s (The Nest, Martha Marcy May Marlene) The Iron Claw came about. I’ve read pre-screener reviews about how emotionally devastating this movie was for months. While I felt prepared for my watch, I left feeling wrecked. What a masterful feat.
The Holdovers (2023)
As I’m not the biggest fan of director Alexander Payne (About Schmidt, Election, and even less of one of Paul Giamatti (Saving Mr. Banks, Straight Outta Compton), I was lukewarm, at best, about seeing The Holders, a reunion of the director/actor duo that combined for 2004’s Sideways, a beloved critic and audience favorite, but a film I suffered through for 20 minutes before deciding that it was not for me. Sideways was a movie I was sure I would not enjoy, but I attempted it anyway because of the hype. I was miserable. After watching the trailer for The Holdovers, I anticipated a similar type of dread. However, I was willing to give this one a chance after hearing from critics and audiences that this film, while heartfelt and poignant, still maintained some edge.