Disappointing. That’s the word I would use to sum up A Quiet Place: Day One, the prequel to A Quiet Place and the third movie in the successful trilogy. John Krasinski wrote and directed both A Quiet Place and A Quiet Place Part II. Krasinski only has producer credits for the final installment. We felt his absence. A Quiet Place: Day One lacked originality, coherence, and suspense. It was a cash grab, which I played into. Michael Sarnoski (fresh off writing and directing credits of his debut film, Pig).
61* (2001)
HBO (now Max) has been producing its own feature-length films since 1982, averaging 10-15 releases each year. Most of these films have little to no marketing behind them, nor are they distributed by a major studio or star A-list actors. With very few exceptions, these films go mostly unseen. However, there have been exceptions. These include The Normal Heart, Bad Education, Live from Baghdad, and Behind the Candelabra. Perhaps HBO’s most celebrated and widely received original movie is the Billy Crystal-directed (Forget Paris, Mr. Saturday Night) 61*, chronicling the 1961 single-season home run chase between New York Yankees teammates Roger Maris and Mickey Mantle.
Challengers (2024)
I have a spot in my heart for intense sports movies. I also enjoy films that effectively incorporate flashbacks to flesh out the story and its characters. Luca Guadagnino’s (Bones and All, Call Me by Your Name) Challengers incorporated both themes into a tense, drama-filled drama, set against the backdrop of professional tennis.
Civil War (2024)
Tell me you’re making a political movie without telling me you’re making a political war movie without telling me you’re making a political war movie. Civil War, Alex Garland’s (Annihilation, Ex Machina) newest film in which The United States has become even more divided and intense than at the time of its 2024 release, serves as an ominous narrative about the potential future of our country. While it’s sure to be divisive, Garland is purposefully vague about the two sides while not taking a side. Outside of Dune 2, Civil War is the film that received the most buzz after the first four months of the year. Rightfully so.
A Good Person (2023)
More often than not, I enjoy movies, television shows, books, and music dealing with addiction. When a show, a song, an autobiography, etc., effectively chronicles the compulsive and desperate realities of substance abuse, I will give it my undivided attention. When a character adeptly captures the euphoria of being drunk, high, or stoned, followed by the bleak and inpatient hopelessness that awaits when that high wears off, I am reminded of how prevalent, powerful, and relentless addiction is. Two critically limited series (Dopesick – 2022 and Painkiller – 2023) brought pharmaceutical pill addiction to the forefront in ways that film or television hadn’t before. The ability to tell an addiction story over 8-10 one-hour-long episodes allows a director more opportunity to delve into the depths of the disease while allowing for deep character examinations. That is not to say that a film centered on addiction can’t be captivating. Numerous examples have shown this. Unfortunately, Zach Braff’s (Garden State, Wish I Was Here) well-intentioned A Good Person was not one of them.