When you win an Academy Award for Best Directing, you can do pretty much anything you want regarding creative control as a director. Guillermo del Toro (Pan’s Labyrinth, Crimson Peak) has elevated himself to the point where his constraints have been lifted. Following his Best Director Academy Award (The Shape of Water), del Toro could have picked whatever project he wanted to do next, and he would have had swarms of A-list actors lined up to work with him. Ironically, with Nightmare Alley, he went about as mainstream as he’s ever gone before. This is not to say this 2021 Best Picture nominee isn’t without its share of the bizarre.
Category Archives: Guillermo del Toro
The Shape of Water (2017)
Guillermo del Toro (Pan’s Labyrinth, Crimson Peak) adult fairytale The Shape of Water is a movie we’ve seen so many different times in so many different forms that it’s a wonder that we’d even be willing to see it again. Starcrossed lovers find themselves in a forbidden love situation while fighting off some catastrophe, or at least societal pressures. Think Titanic, a nearly perfect movie that showcased this is in a way that will never be forgotten by any who watches it. So how does del Toro pull off this story in a completely original yet equally compelling way? Well, he does it in a way that only del Toro can do. And in doing so, he creates both the most unparalleled and also (with no disrespect to Call Me By Your Name) the most romantic movie of 2017. This movie certainly is not for everyone. If Thor: Ragnarok or Justice League is more your thing, then I’m not even sure I’d consider The Shape of Water. This is the ultimate independent movie, and if you go into this movie with the mindset that you’ll be able to enjoy the ride and not have to think, you’ll be in for a long two hours. In a year where the movies have been the worse they’ve been since I began my blog in 2010, the uniqueness of the movies (rather than the quality of them) has really defined this year.
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Crimson Peak (2015)
Guillermo del Toro. Some people love the movies he has directed. Some people don’t love them. I think I am starting to land in the second group. I know he found his early cult following with movies like Hellboy and Hellboy II while also receiving critical accolades for films like The Orphanage and Pan’s Labyrinth. For me, his movies aren’t must-see (I’ve had Pan’s Labyrinth on my list of movies to watch for years, but each time I think I might want to watch it, I put something else on instead). Hellboy and The Orphanage were both okay, but del Toro is no early M Night Shyamalan (The Sixth Sense, Signs). While Crimson Peak has had mostly positive reviews (69% on Rotten Tomatoes), it hasn’t hit home with audiences. Its marketing campaign has hurt its inability to categorize it as humor, mystery, suspense, romance, or drama. This movie attracted del Toro’s best-ever cast ensemble (Mia Wasikowska, Jessica Chastain, Charlie Hunnam, Tom Hiddleston). Still, with an estimated budget of $50 million and only half of that amount accumulated in revenue from the first two weekends, Crimson Peak might barely break even. This movie is by no means great. It was an okay watch, but my life certainly would not have been altered if I had not seen it. I absolutely will never watch this movie again. It certainly is not a horror film, so even though the previews look scary and categorized as horror, you’re not going to be scared. If you like del Toro’s other movies, I don’t think you’ll be disappointed by this one. If you’ve never seen one of his movies before (other than maybe Pacific Rim), I’d suggest watching either The Orphanage or Pan’s Labyrinth at home and base your decision on your fondness of either of those movies.
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