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Crimson Peak (2015)

Guillermo del Toro. Some people love the movies he has directed. Some people don’t love them. I think I am starting to land in the second group. I know he found his early cult following with movies like Hellboy and Hellboy II while also receiving critical accolades for films like The Orphanage and Pan’s Labyrinth. For me, his movies aren’t must-see (I’ve had Pan’s Labyrinth on my list of movies to watch for years, but each time I think I might want to watch it, I put something else on instead). Hellboy and The Orphanage were both okay, but del Toro is no early M Night Shyamalan (The Sixth Sense, Signs). While Crimson Peak has had mostly positive reviews (69% on Rotten Tomatoes), it hasn’t hit home with audiences. Its marketing campaign has hurt its inability to categorize it as humor, mystery, suspense, romance, or drama. This movie attracted del Toro’s best-ever cast ensemble (Mia Wasikowska, Jessica Chastain, Charlie Hunnam, Tom Hiddleston). Still, with an estimated budget of $50 million and only half of that amount accumulated in revenue from the first two weekends, Crimson Peak might barely break even. This movie is by no means great. It was an okay watch, but my life certainly would not have been altered if I had not seen it. I absolutely will never watch this movie again. It certainly is not a horror film, so even though the previews look scary and categorized as horror, you’re not going to be scared. If you like del Toro’s other movies, I don’t think you’ll be disappointed by this one. If you’ve never seen one of his movies before (other than maybe Pacific Rim), I’d suggest watching either The Orphanage or Pan’s Labyrinth at home and base your decision on your fondness of either of those movies.
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