The best part of The Cider House Rules, the 1999 film by director Lasse Hallström (An Unfinished Life, Chocolat), is the sweet, uplifting score from composer Rachel Portman. When a movie’s score is the best thing you can say about it, that’s not always good. With that said, some excellent movie scores out there help make a good movie great or a great film near perfect. Examples off the top of my head that I can think of are Jaws, Rocky, Sicario, Jurassic Park, The Last of the Mohicans, Drive, The Social Network, Halloween, Far and Away, The Empire Strikes Back, and Braveheart, to name a few. Each is a movie that I would consider to be, at worst, a B+ movie. Though a lesser score would likely not diminish my impression of any of these films, one of the first three or four things that come to mind is the score. When I think of The Cider House Rules, I think immediately of Portman’s beautiful Oscar-nominated score. However, unlike the movies above, its great score doesn’t equate to greatness. An A+ score probably takes this C+/B- movie up to a B.
Category Archives: Charlize Theron
Bombshell (2019)
Based on the real-life scandal at the Fox News Channel, Jay Roach’s (Trumbo, Meet the Parents) Bombshell tells the story of the eruption that occurred when many women were exposed to a sexually harassing environment due to its chairman at the time, Roger Ailes (John Lithgow- Late Night, The Accountant). Bringing to the surface the accusations of numerous females by the head of the company, Bombshell made, at times, an uncomfortable watch. It felt unfathomable that so much of this could have occurred. However, it also seemed as if you couldn’t make up a story like this had it not been proven true.
Long Shot (2019)
Long Shot is a terrible title for a not-so-terrible movie. I won’t mention too much more about the title other than to say that it’s a difficult title to remember and to associate with a film about a Secretary of State (who isn’t really a long shot) and her political campaign and run for the presidency after the incumbent president decides that he won’t be seeking reelection. Nevertheless, Jonathan Levine’s political rom-com (50/50, The Night Before) packs in the laughs while cutting into today’s political landscape just enough to be edgy but not so over the top that it will divide audiences. Long Shot may not be remembered for its title. Still, it will be remembered for its intelligent, timely writing, witty banter, crunch-worthy predicaments, and solid performances from its two leads.
Tully (2018)
Tully. Wow. Way to toy with me, Jason Reitman (Up In the Air, Juno). I will definitely have a spoilers section for this movie, but I will let you know when it happens. I can start by saying that this definitely hit me with an emotional punch. And I say that sort of tongue and cheek because I did not find this movie all that emotional. Reitman has a way of writing and directing his stories in a way where you are completely invested, but also in a way where you don’t need to keep your tissues nearby. Instead, he tells his stories in a way that gets you interested from the get-go creating characters who you wrote for and then hitting you with a gut punch when you least expect it. Ultimately, this results in his movies staying with you long after most movies you’ve seen have been forgotten. In Tully, he reunites with Charlize Theron (Mad Max: Fury Road, A Little Trip to Heaven) when the two teamed up for the fantastic Young Adult. I wouldn’t say that the Academy has shut out Theron (certainly not in the way that Jake Gyllenhaal has), but to have just two Academy Award nominations (Monster, North Country) is, if nothing else, a little surprising. I don’t know if her performance in this film will be enough to land the coveted acting prize, especially with an April release. But I will say that she carried this movie, and it goes in a couple of different directions along the way that is held together by her evenness and Reitman’s adherence to the story when it sort of felt like things were untangling a bit.
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Mad Max: Fury Road (2015)
The second-best action movie heading into the final month of the year has got to be Mad Max: Fury Road, which also happens to be one of the best remakes of a movie ever. I’ll be honest in saying that I did not like the 1979 original movie that started Mel Gibson. I waited until maybe five years ago to watch the film, preferring to keep it as one of those classics to watch on a rainy day. Not so much. It was more disappointing to me than both Blade Runner and Total Recall. That is saying something, as both of those movies I felt were overrated. Blade Runner gets some slack because it was so far ahead of its time. However, I still thought it was overrated. A few things about Mad Max: Fury Road before I get into the review. I mention that it is the second-best movie going into the final month. No action movie will beat the incredible Sicario, which will compete until the end for the best film of 2015. Also, December is when both Star Wars: The Force Awakens and The Revenant were released, and I felt both were guarantees to be better than Mad Max: Fury Road. Also, this movie isn’t my type of movie anywhere. So while I will recognize it as a fine film, its score will be slightly better than how I felt when I watched it.
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