Christopher Nolan (The Dark Knight Rises, Inception) might be the best technical director we’ve ever seen. His precession is perfect. His attention to detail is unmatched. His brain operates so that it is always a step ahead of his actors and two steps ahead of his audience. We’ve seen technical masterpieces throughout his already storied career. At 47 years of age, he already has masterpieces like Following, Memento, Insomnia, Batman Begins, The Dark Knight, The Dark Knight Rises, The Prestige, Inception, and Interstellar all underneath his belt. His “worst” movie, according to Rotten Tomatoes, is Interstellar, and that still has a 71% fresh rating. That means his “worst” movie still had five out of every seven critics gave the movie a positive rating. But for all of the positives associated with Nolan’s films (and there are many), he has failed to capture the often needed emotional component with every single one of them.
Category Archives: Tom Hardy
The Revenant (2015)
Why not save the best for last? It doesn’t always work out that way, but The Revenant was the final movie released in 2015. In fact, except for in a few select theaters in a few select cities, you couldn’t see the film until January 7th. Was it worth the wait? Absolutely it was. It seems like we’ve seen trailers for months building this movie up. Each time I saw a preview, I couldn’t help but get excited. I believe that this might have been my most anticipated movie since Shutter Island, and with that movie, I had reason to be wary because it was a 2010 movie released in February. You usually don’t get the best films of the year released that early in the year. While Shutter Island exceeded expectations, The Revenant was all that and more. Leonardo DiCaprio (The Wolf of Wall Street, The Great Gatsby) has been burned by the Academy many times before. While The Revenant is his fifth Academy Award nomination for acting, he should have at least three or four more. None of those past omissions matter now, as DiCaprio is the front runner to win Best Actor this year. I wouldn’t quite qualify him as a lock to win, but it is only a two-actor race, and his performance was more impressive than the fabulous performance given by Eddie Redmayne in The Danish Girl.
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Mad Max: Fury Road (2015)
The second-best action movie heading into the final month of the year has got to be Mad Max: Fury Road, which also happens to be one of the best remakes of a movie ever. I’ll be honest in saying that I did not like the 1979 original movie that started Mel Gibson. I waited until maybe five years ago to watch the film, preferring to keep it as one of those classics to watch on a rainy day. Not so much. It was more disappointing to me than both Blade Runner and Total Recall. That is saying something, as both of those movies I felt were overrated. Blade Runner gets some slack because it was so far ahead of its time. However, I still thought it was overrated. A few things about Mad Max: Fury Road before I get into the review. I mention that it is the second-best movie going into the final month. No action movie will beat the incredible Sicario, which will compete until the end for the best film of 2015. Also, December is when both Star Wars: The Force Awakens and The Revenant were released, and I felt both were guarantees to be better than Mad Max: Fury Road. Also, this movie isn’t my type of movie anywhere. So while I will recognize it as a fine film, its score will be slightly better than how I felt when I watched it.
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The Drop (2014)
In my review of Enough Said, I write that the performance of Albert by James Gandolfini was the perfect role for his final movie. Albert was such a likable character in that movie. There were no hidden agendas. The man had some flaws, but those flaws weren’t any worse than the flaws you or I have. I wrote that review when I believed Enough Said was Gandolfini’s final movie before he passed away. I still love his role in this movie, but I’m so glad there was still a movie in post-production that I did not know about. The Drop was a fantastic final film for him, and it could earn him a posthumous Best Supporting Actor Academy Award nomination. In this film, Gandolfini returns to what he is most known for as an actor. He’s a little shady, and there always seems to be more about him than meets the eye. With that sly smile of his eyes, his under-the-breath chuckle, and his ability to say something to one person that is so very endearing one minute, but something to another character that is so brutally honest that it makes the person who is speaking feel stupid the next, Gandolfini is a master of disguising his characters and their intentions. He may have turned in the best big screen performance of his career with his final one.
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Lawless (2012)
Tom Hardy (The Dark Knight Rises, Warrior) is quickly establishing himself as a leading man in Hollywood. Since really coming onto the radar after 2010’s Inception, Hardy went on to win audiences over in the surprisingly good Warrior before donning a mask as Bane and becoming 2012 biggest villain in The Dark Knight Rises. In a movie full of top-notch acting, Hardy turns in the performance of his young career in John Hillcoat’s (The Road, The Proposition) Lawless.
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