Barbieheimer, the crafty, endearing portmanteau of Barbie and Oppenheimer, the two biggest blockbusters of the summer, became mainstream weeks months before the dual-day release of each movie. Moviegoers flocked to the theaters in greater fashion than even 2022’s Top Gun: Maverick. This ultra-successful and undeniably popular film has become universally accepted as bringing people back to theaters following the COVID-19 pandemic. Some would say that it saved movie theaters entirely. As someone who sees two, three, or sometimes even more movies in the theater in any given month, and often being one of a small handful of patrons, I am in that camp.
Category Archives: Emily Blunt
A Quiet Place Part II (2020)
A Quiet Place Part II signified the return to the movie theaters following the COVID-19 pandemic. Ironically, the John Krasinski (Promised Land, Away We Go) directed sequel to 2018’s surprisingly successful A Quiet Place was tabled for its March 2020 release just before the global pandemic ravaged the world. I give movies like Tenet, News of the World, and Wonder Woman 1984 much credit for releasing their films during the year, knowing they would earn far less revenue than if they had waited. I don’t fault movies for delaying their release, but I applaud the big-budget ones that did not. While 2020 allowed more independent films to take center stage at the theaters that continued operating during the shutdown, those movies didn’t necessarily succeed. It was an abysmal year overall for movies. I did go to the theaters 10-15 times between mid-March 2020 and mid-May 2021. Except for once or twice, only a dozen or so people were at my shows.
A Quiet Place (2018)
Though it is not one of the ten BEST movies of 2018 (it is just on the outside looking in), there is a place for a movie like John Krasinski’s A Quiet Place because of its originality, creepiness, and ability to keep you on the edge of your seat for its fast-flying 90 minutes. In a time where Hollywood is struggling with original storylines, here we find a first-time director and still novice movie star in Krasinski (NBC’s The Office, Promised Land) delivering a downright knockout punch in his debut effort. I love gritty movies. I love movies that are rich in their characters. I love movies where the tone doesn’t change from credits to credits. A Quiet Place had all of this and more, and thus it has found a spot in my Top Ten Movies of the Year for 2018 over other movies that might have been less flawed but were also far less original.
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The Girl on the Train (2016)
The Girl on the Train will often be confused with and often compared to Gone Girl, 2014’s box office success that also registered well with the critics. Both were highly anticipated adaptations of successful novels by two of the more popular present-day writers. Both movies revolve around complex lead female characters who clearly are not completely mentally stable. It’s easy to see how some people might say that The Girl on the Train could be considered a rip-off of Gone Girl, but it’s not. The book had already been written, and, I believe, the movie had already been in the works. So the movies actually are quite different from one another. And, with that said, it’s easy for me to see how The Girl on the Train might achieve the same financial success, but how its 43% fresh on Rotten Tomatoes is slightly less than half that of Gone Girl‘s 88%. In addition, the movie was far less captivating and much less memorable. Nonetheless, The Girl on the Train is a fine movie. In my opinion, it is much better than the book. And while it doesn’t offer the same intriguing storyline as Gone Girl, it’s worth checking out.
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Sicario (2015)
With three months left to go in 2015, we have a new contender for the best movie of the year, and the name of that movie is Sicario. This movie is a fantastic ride that will keep you thoroughly engrossed and guessing the entire time. Like many great movies over the last couple of years, the less you know about the movie going in, the more I think you’ll like this movie. For me, this has been the case recently with films like Ex-Machina, The Drop, The Gift, and Chef. All of these were surprises, and each is a movie that I plan on watching again in the future. The same can be said about Sicario. Once you know how the movie ends, you’ll want to watch it again to try and see it again through a new set of lenses. It’s intense. It’s filled with drama. It will leave you with your mouth hung ajar. That is if you let it. This is a movie where you need to pay attention. If you doze off for even a couple of minutes, you might miss something important. If you miss something important, you might feel lost. If you feel lost, you might get frustrated. But if you are willing to work as hard as the movie does, you’ll be rewarded with one of the most exciting, well-crafted, and original movies that you are likely to find this year (or any year for that matter).
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