Barbieheimer, the crafty, endearing portmanteau of Barbie and Oppenheimer, the two biggest blockbusters of the summer, became mainstream weeks months before the dual-day release of each movie. Moviegoers flocked to the theaters in greater fashion than even 2022’s Top Gun: Maverick. This ultra-successful and undeniably popular film has become universally accepted as bringing people back to theaters following the COVID-19 pandemic. Some would say that it saved movie theaters entirely. As someone who sees two, three, or sometimes even more movies in the theater in any given month, and often being one of a small handful of patrons, I am in that camp.
Category Archives: Jason Clarke
First Man (2018)
It takes a long, long time to land on the moon. So much can be said for the research, development, and execution of the Apollo 11 spacecraft on the lunar surface on July 21, 1969. Much can also be said of Damien Chazelle’s (La La Land, Whiplash) lackluster First Man. Maybe Chazelle should go back to writing his own screenplays. After earning Oscar nominations (adapted for Whiplash, original for La La Land) for his first two directed movies, Chazelle picked up Josh Singer’s (Spotlight, The Post) for his third directorial effort. Unfortunately, the culmination likely didn’t do either man any favors. First Man seemed to lack want, energy, and originality and frequently veered into downright disinterest in its characters and outright boredom. While the film has resonated with critics (88%), there is a sharp dropoff in audience score (66%). While the accomplishment in First Man is an important story that needed to be told in this medium (particularly to those who weren’t even born when this achievement happened, I think it should have been spearheaded by a director who is more seasoned in the biopic genre or at least had directed a film outside of the music drama genre which has thus far defined his career.
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Mudbound (2017)
An early and serious contender for 2017’s Best Picture is a movie that may not have found its way to a theater had it not garnered so much critical acclaim. Dee Rees’s (Pariah) Mudbound is a Netflix original movie, and had it not been for The Academy of Motion Pictures’ rule of all Oscar-nominated films be available to the public via movie theaters, who knows where it would have landed. This is not Netflix’s first movie to receive so much praise that the movie had to be released in the theaters. 2015’s Beasts of No Nation faced a similar fate. However, the kudos that Beasts of No Nation originally received faded as Oscar season approached, and the movie ultimately did not receive a single nomination. The same won’t be the case for Mudbound, which very well could earn a Best Picture nomination as well as nominations for Best Supporting Actor (Jason Mitchell Detroit, Straight Outta Compton), Best Supporting Actress (Mary J. Blige), and Best Adapted Screenplay just to name a few. Of course, it’s an early prediction, and I have yet to see any of the other contenders, but this does feel like a poor year for movies. I would be shocked if Mudbound is not nominated for Best Picture, and I would be surprised if it doesn’t win at least one award in one of the other categories before cinema’s biggest night of the year is complete.
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Everest (2015)
I know I am in a significant minority when I review this movie, and I know many will wonder what I’m talking about. Everest just wasn’t a very good movie. I realize that many have never seen a mountain climbing movie or, worse, have only the likes of Vertical Limit to compare it to. But before I get too far into my review of Everest, let me mention a few mountain climbing movies that I would watch a dozen times again before forcing myself to watch Everest. The most notable one to me is a recent one that most people have never heard of. Depending on who you ask, it’s 2008 (or 2010) German released North Face (Nordwand). It takes a few minutes to get past the subtitles, but it’s worth it. This movie is horrifying in its detail of its climbers experiencing some of nature’s most brutal physical elements. There is also Touching the Void. There is also K2. Heck, I think I’d even put Cliffhanger up there as a more entertaining movie. And while it’s not about reaching any sort of summit, the absolute best climbing-based film is the fantastic 127 Hours, one of the best two hours you can experience with a film (side note…watch the director’s cut). But as far as Everest goes, I had extraordinarily high hopes for this film. And it disappointed on just about every level.
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Terminator Genisys (2015)
I wanted to like Terminator Genisys. I did. I know it got slammed by the critics (26% fresh on Rotten Tomatoes), but I am a fan of the franchise. I even watched Terminator Salvation (a movie that Christian Bale should never have wasted his time with) a few days prior in anticipation of this movie. I knew all about the movie’s problems. I knew that fans of the franchise would be, at the very least disappointed. I knew that many of the die-hards were upset with this movie. I had heard that it was confusing and difficult to follow. I knew that the trailer gave away the movie’s major twist. Yet I was willing to forget all of these things and held out hope that this movie could be more. I mean, this was The Terminator franchise. It couldn’t be worse than Predators, Live Free or Die Hard, or Indiana Jones and the Kingdom of the Crystal Skull, could it? Those three movies were packed full of junk (especially Indiana Jones) and should have never have been made. I am happy to report that Terminator Genisys was better than the three movies I just mentioned combined, but it was disappointing. It was action-packed. It is very, very reminiscent of Terminator 2: Judgment Day (a film that, in 1991, was so far ahead of its time in terms of CGI that it was ridiculous). It told a story that would have been good had it completely disowned the previous movies in the franchise (especially the original and Terminator 2: Judgment Day). Instead, Terminator Genisys made it appear as if the first four movies in the franchise never happened. Really? That’s the story? What would have happened if what happened didn’t happen? This is a Terminator film. Most of us don’t want to turn on our minds too much for a summer action flick like this.
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