Category Archives: Emmanuelle Riva

Free State of Jones (2016)

With his scraggly beard, yellow teeth, foreboding scowl, and deliberate limp, Matthew McConaughey’s (Amistad, A Time to Kill) portrayal of Newt Knight, a poor white farmer who led an extraordinary rebellion during the Civil War, is a far cry from the same man who was pigeonholing his career a decade earlier by playing the same character over and over in hit or miss romantic comedies like How to Lose a Guy in 10 Days, Failure to Launch, The Wedding Planner, Fool’s Gold, and The Ghosts of Girlfriends Past to name a few. McConaughey reinvented himself three or four years ago and re-established himself as a dramatic leading man with the likes of The Lincoln Lawyer, Interstellar, HBO’s True Detective, Killer Joe, Mud, and Dallas Buyer’s Club, for which he won Best Performance by an Actor in a Leading Role at the 2014 Academy Awards ceremony. While he’s had his misses recently (has anyone even heard of 2016’s The Sea of Trees?), he has continued to have the ability to pick and choose his movies, and, unlike his string of romantic comedies, he continues to branch himself out further and further.
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Amour (2012)

amour movie posterMichael Haneke’s (Funny Games, Time of the Wolf) Amour might not be the most depressing movie of the year, but it is the most horrifying. The plot line could be “growing old with the one you love the most while facing life’s misery.” Instead, this movie is simply about the deterioration of a wife and what an elderly husband is able and willing to do to take care of her when she can no longer care for herself. A universal belief is that we all want to age gracefully and not impose on others. A universal truth, I know, is that this does not often happen. The idea that a husband and wife can fall in love in their 20s, live 60 years with minimal health issues, and then die in their sleep on the same night isn’t realistic, no matter how much we want it to be. In all likelihood, each spouse will rely on the help of their partner. In the end, one partner will most likely care for and make the decisions of the other. That’s what this movie shows us. And it shows us to it in an oh-so-brutal way.
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