In an interview with Inverse to promote his 2021 horror film Antlers, director Scott Cooper said, “I tend never to make the same film in the same genre. The great danger as a filmmaker is in doing safe work. I always like to be in an uncomfortable space.” While admirable, if you can do something really well, there is also the argument to stay within that genre as you continue to perfect your craft. Antlers is the fifth film directed by Cooper and the first one that dips outside the norms of reality. Three of his first four (Out of the Furnace, Crazy Heart, Hostiles) finished in my End of Year Top 3, while his fourth (Black Mass) was a movie I did not enjoy. Antlers was far better than Black Mass, but it is not a candidate to finish in my Top 10 Movies of 2021.
Category Archives: Keri Russell
Free State of Jones (2016)
With his scraggly beard, yellow teeth, foreboding scowl, and deliberate limp, Matthew McConaughey’s (Amistad, A Time to Kill) portrayal of Newt Knight, a poor white farmer who led an extraordinary rebellion during the Civil War, is a far cry from the same man who was pigeonholing his career a decade earlier by playing the same character over and over in hit or miss romantic comedies like How to Lose a Guy in 10 Days, Failure to Launch, The Wedding Planner, Fool’s Gold, and The Ghosts of Girlfriends Past to name a few. McConaughey reinvented himself three or four years ago and re-established himself as a dramatic leading man with the likes of The Lincoln Lawyer, Interstellar, HBO’s True Detective, Killer Joe, Mud, and Dallas Buyer’s Club, for which he won Best Performance by an Actor in a Leading Role at the 2014 Academy Awards ceremony. While he’s had his misses recently (has anyone even heard of 2016’s The Sea of Trees?), he has continued to have the ability to pick and choose his movies, and, unlike his string of romantic comedies, he continues to branch himself out further and further.
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Dawn of the Planet of the Apes (2014)
I’m not the biggest fan of reboots. I often think, “Why?” or “What’s the point?” or, “Can Hollywood not come up with an original idea?”. However, at the same time, I’m a big fan of origin stories. Usually, if the first movie in a franchise is good, I’ll keep watching the sequels until they start to stink. Once you lose me, though, you lose me, and I’m not coming back. So each subsequent movie in a franchise doesn’t necessarily need to be better than the starting movie (in fact, I don’t expect it to be), but it still better be pretty darn good. My favorite movies in the last decade include Batman Begins, Iron Man, and The Hangover. These three movies illustrate my point perfectly. The Dark Knight, unquestionably, and The Dark Knight Rises, probably, were both better than Batman Begins. In the Iron Man franchise, Iron Man was the best, Iron Man 2 was very good, but not great, and Iron Man 3 was still decent. With The Hangover, the first one was brilliant, The Hangover 2 one had me asking, “Why are they doing this again?” and the third one was so terrible that I will not pay another dollar if these franchises continue and has made me much less interested in ever watching the original one again.
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