Over seven years into my movie review website and BlacKkKlansman, this is the first Spike Lee-directed movie I’m reviewing. I actually did not realize this until I checked on his category and saw that he wasn’t listed as one of the directors in my categories list. It certainly isn’t because I don’t enjoy a good Spike Lee movie. I think it’s more than of my first 370+ reviews, more than 300 of them have been since 2010. And while Lee has certainly directed many films since 2010, I haven’t heard of nearly any of them. I did see (and enjoy) 2013’s Oldboy and am quite surprised I did not write a review on it. It is a movie that I will go back and watch again and review. But Lee is absolutely better known for the movies he directed over a 15-20 year period, starting with 1989’s Do the Right Thing and ending with 2006’s Inside Man. Shockingly, he does not have a Best Director Academy Award nomination to his credit and only has one real nomination at all (as a screenwriter for Do The Right Thing). While Lee isn’t a Steven Spielberg, he has directed a handful of movies so memorable that people can roll them out of their mouths at a moment’s notice. I mean, come on…in addition to the films mentioned, you’ve got Mo’ Better Blues, Jungle Fever, Malcolm X, He Got Game, Crooklyn, Clockers, The Original Kings of Comedy, 25th Hour…movie after movie with Rotten Tomato scores well over 65%. These are all movies that everyone should see before they die. I mean, seriously, how does Malcolm X not earn him a Best Director nomination. It is one of the greatest films ever made. Now I’m not going to sit here and say that BlacKkKlansmanis going to earn him that elusive Best Director nomination, but certainly enough of a movie to make Lee relevant again…something, unfortunately outside of sitting courtside of New York Knick basketball games, that he hasn’t been in over a decade.
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Category Archives: Alec Baldwin
Mission: Impossible – Fallout (2018)
Mission Impossible: Fallout should be looked at as the template for how action movies are created. This is everything you want in a pure action movie that is wrought with the same suspense, mystery, and comedic tones that you would expect from this top-of-the-line franchise. Tom Cruise (Born on the Fourth of July, A Few Good Men) reprises his most recognizable character (people, Top Gun came out over 30 years ago…Maverick is great, Ethan Hunt is the identifiable Cruise character…at least for anyone younger than 35). I’ve spent a good part of the last two decades knocking Tom Cruise for his choice in roles, wishing he would return to the types of roles that earned him three Academy Award nominations between 1990-2000. And I honestly, at the time, though he was phoning it in for box office dollars. I understand an action flick here and there. I understand that action is the niche for various A-listers (Dwayne Johnson, Jason Statham, Arnold Schwarzenegger, Sylvester Stallone) but not Tom Cruise. He has more depth than these other actors, and I felt he was repeatedly resorting to variations of the same role (Jack Reacher, Oblivion, Edge of Tomorrow). But I was wrong. I’ve watched all of these movies, and while, yes, they are all action movies, he never phones it in. He actually might bring a more consistent intensity to his role than any other actor out there. And this was no exception. Although it is hard for us to see anyone else play Tony Stark/Iron Man than Robert Downey Jr., it would be challenging to see anyone besides Cruise play Ethan Hunt.
Mission: Impossible – Rogue Nation (2015)
As my friend Tom would say, directing a Mission Impossible movie is like a doorknob. Everyone gets a turn. This is so true and not really in a good way. While this franchise is certainly getting better with each new installment, this wasn’t always the case. My biggest problem with the first four movies of the franchise was how different they were from one another. I have never watched a sequel that was so inherently different in directing, storytelling, cinematography, sound,, and everything else from the original than Mission Impossible 2 was from Mission Impossible. John Woo’s Hong Kong-style martial arts action flick was so far completely different from the Brian DePalma intelligent, well-crafted big-budget adaptation of the smart spy television series that ran for seven years in the late 1960’s that it felt like the two movies weren’t even related. I don’t necessarily oppose changing a director (though I don’t love it), but I oppose the changing styles. Plenty of franchises have had different directors that have made that work (most notably the James Bond franchise, which is similar to Mission Impossible), but many more haven’t. Throw in J.J. Abrams (Mission Impossible III) and Brad Bird (Mission Impossible: Ghost Protocol), and you’ve got four different directors, each with a completely different vision from one another, for the first four movies of the series. Honestly, I expected the franchise to die at three films, but I am grateful that it got a new life with 2011’s Ghost Protocol (93% fresh on Rotten Tomatoes). Mission Impossible: Rogue Nation introduces its fifth director in the franchise (Christopher McQuarrie – The Way of the Gun), but the first to direct multiple installments (2018’s Mission: Impossible – Fallout). The franchise has turned into a series of cleverly written and executed spy action thrillers. And with its cast of A-list movie stars, each movie is a unique experience and a fun escape from reality.
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Still Alice (2014)
Still Alice is a slightly above-average movie with the best lead performance you will see by an actress all year. I think there are only a couple of shoo-ins at this year’s Academy Awards. I believe that most categories are predictable, but there will be a couple of surprises. The big ones that will not be surprising are Patricia Arquette (Best Supporting Actress – Boyhood) and Julian Moore for her performance as a 50-year-old woman suffering from Early Onset Alzheimer’s Disease in this Still Alice. Each year there seems to be a movie that earns a significant award but is not recognized in any other category. This year, that movie is Still Alice. I’m not a huge fan of Moore. I think she’s good, but she’s slightly overrated. Nonetheless, she is due to be recognized, and this is the lead performance that is head and shoulders above the other contenders.
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Blue Jasmine (2013)
Woody Allen (Annie Hall, Midnight in Paris) has done more than enough in his latest venture to interest me in checking out some of his past films that I have yet to see. Blue Jasmine is a terrific little movie about crushed dreams, deception, and trying your best to accept the life you have, regardless if it is the life that you want. It stars Cate Blanchett (The Aviator, Notes on a Scandal) as the title character, a woman whose life is turned completely upside down when her life of luxury is uprooted as a result of her husband Hal’s (Alec Baldwin – The Cooler, The Departed) poor personal and professional decision-making. Instead of continuing to live her posh lifestyle in New York City with (what she thought) was her perfect husband, she is forced to move in with her sister Ginger (Sally Hawkins – Happy-Go-Lucky, Submarine) and her two sons in a rundown San Francisco apartment because she has nowhere else to go. Blanchett (Best Actress), Hawkins (Best Supporting Actress), and Allen (Best Original Screenplay) were all nominated for Academy Awards. While Blanchett and Allen were most deserving, I didn’t think Hawkins was great. It furthers the argument that the award is likely a two-person race between Lupita Nyong’o (12 Years a Slave), who should win, and Jennifer Lawrence (American Hustle). Blanchett has a small chance to unseat the favorite Sandra Bullock (Gravity), but I just don’t see it happening. Bullock carried a Best Picture nominee by herself for more than an hour. Even if Blue Jasmine had been nominated for Best Picture, it would still have been hard for her to defeat Bullock.
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