Ready to call it a career, Frank James (Sam Shepard – Out of the Furnace, The Right Stuff) promises his brother Jesse (Brad Pitt – Legends of the Fall, Once Upon a Time in Hollywood) one last train heist with the notorious James Gang. Then, Frank will drift off into the sunset and live out the rest of his life quietly. But what will happen to Jesse? Well, he will be assassinated by the coward Robert Ford. The film’s title gives the plot away unless somehow we are talking about the assassination metaphorically. We are not. So what keeps director Andrew Dominik’s (Blonde, Killing Them Softly) The Assassination of Jesse James by the Coward Robert Ford such an alluring watch for its nearly three-hour runtime?
Ben Affleck’s (Gone Baby Gone, Live By Night) The Town was my favorite movie a few years ago. The Revenant has since replaced it, while The Shawshank Redemption will constantly vie for a top spot, but it’ll be a long time before The Town falls out of my Top 10. I’ve watched it three times (once in the theater), and I’ve enjoyed it just a little less with each viewing while appreciating it a little more with those watches. The Town also contains one of my all-time favorite scenes, the finale in Fenway Park depths.
“The rush of battle is a potent and almost lethal addiction, for war is a drug.” – Chris Hedges, author of War Is A Force that Gives Us Meaning.
2009’s The Hurt Locker is absolutely one of the finest movies ever made. It was completely gripping in its year of release and is a movie that will remain relevant until the end of time. It was monumental that director Kathryn Bigelow (Point Break, Zero Dark Thirty) became the first woman to win the Academy Award for Best Director and the first woman to direct a Best Picture of the Year. It only took 80 years…Just as impressive, and a large credit goes to Bigelow, was the breakout performance for two future Hollywood A-listers in Jeremy Renner (The Town, Wind River) and Anthony Mackie (The Adjustment Bureau, Triple 9). Ironically, both have landed themselves as Avengers characters, something I will touch on later in this review. There have been many excellent movies about the war in Iraq (Stop-Loss, The Green Zone, The Messenger, Grace Is Gone, Lions for Lambs, In the Valley of Elah, Jarhead), The Hurt Locker is second, falling just behind Clint Eastwood’s American Sniper. And it’s close. Each is a film that showed be watched multiple times. Each had a lead that hit his performance completely out of the park, each had incredible direction, and each had a chilling score that could be listened to on a quiet night on the couch at home. It is, without a doubt, a movie that should be viewed by anyone who enjoys/appreciates war movies.
As my friend Tom would say, directing a Mission Impossible movie is like a doorknob. Everyone gets a turn. This is so true and not really in a good way. While this franchise is certainly getting better with each new installment, this wasn’t always the case. My biggest problem with the first four movies of the franchise was how different they were from one another. I have never watched a sequel that was so inherently different in directing, storytelling, cinematography, sound,, and everything else from the original than Mission Impossible 2 was from Mission Impossible. John Woo’s Hong Kong-style martial arts action flick was so far completely different from the Brian DePalma intelligent, well-crafted big-budget adaptation of the smart spy television series that ran for seven years in the late 1960’s that it felt like the two movies weren’t even related. I don’t necessarily oppose changing a director (though I don’t love it), but I oppose the changing styles. Plenty of franchises have had different directors that have made that work (most notably the James Bond franchise, which is similar to Mission Impossible), but many more haven’t. Throw in J.J. Abrams (Mission Impossible III) and Brad Bird (Mission Impossible: Ghost Protocol), and you’ve got four different directors, each with a completely different vision from one another, for the first four movies of the series. Honestly, I expected the franchise to die at three films, but I am grateful that it got a new life with 2011’s Ghost Protocol (93% fresh on Rotten Tomatoes). Mission Impossible: Rogue Nation introduces its fifth director in the franchise (Christopher McQuarrie – The Way of the Gun), but the first to direct multiple installments (2018’s Mission: Impossible – Fallout). The franchise has turned into a series of cleverly written and executed spy action thrillers. And with its cast of A-list movie stars, each movie is a unique experience and a fun escape from reality. Continue reading Mission: Impossible – Rogue Nation (2015)→
There are so many takeaways from Taylor Sheridan’s Wind River that I don’t even know which one to bring out first. I guess that I’ll start by saying that, though flawed, this is the best movie of 2017 through the first eight months of the year. It’s an epic masterpiece that might be missed by the common moviegoer who is so overwhelmed with the commercialization of movies like Wonder Woman, Spider-Man: Homecoming, and War of the Planet of the Apes, that they might not even know it existed, let alone a movie that it might be interested in seeing. In a 2017 Hollywood that has seen a massive uptake in remakes, reboots, sequels, and prequels, it’s becoming increasingly more difficult to find originality in a story and then, if you do, for that originality to come out in a way that encourages you to see it again and, hopefully, has a lasting impact on your life. That is what Sheridan, an incredibly gifted screenwriter, has done here in his first film behind the camera. Already to his screenwriting credit are the memorable Sicarioand Oscar-nominated Hell or High Water. It’s unlikely that Wind River will receive the same box office success as his first movie or the same critical acclaim come Oscar season as his second, but this is one hell of a directorial debut. Continue reading Wind River (2017)→
Ready to call it a career, Frank James (Sam Shepard – Out of the Furnace, The Right Stuff) promises his brother Jesse (Brad Pitt – Legends of the Fall, Once Upon a Time in Hollywood) one last train heist with the notorious James Gang. Then, Frank will drift off into the sunset and live out the rest of his life quietly. But what will happen to Jesse? Well, he will be assassinated by the coward Robert Ford. The film’s title gives the plot away unless somehow we are talking about the assassination metaphorically. We are not. So what keeps director Andrew Dominik’s (Blonde, Killing Them Softly) The Assassination of Jesse James by the Coward Robert Ford such an alluring watch for its nearly three-hour runtime?
Ben Affleck’s (