Boy, did I want to love this movie. Bradley Cooper’s debut directorial performance was so close to perfect and yet so far away at the same time. I have so much admiration for his vision and ambition for this movie that I want to give it credit even in the areas it struggled with. Watching it through the lens of a moviegoer looking for an escape rather than that of a wannabe movie critic would have allowed me to see past some of its many errors. Ultimately, however, this film was far too flawed to be a legitimate contender for Best Picture or Best Director, despite what many seem to be already predicting. I will touch on all of the good and all of the bad in what will be one of my more thorough reviews. From a personal standpoint, this movie will stick with me for a long time, and it will be a movie that I purchase on DVD in the future. It’s a movie that I will continue to admire for decades to come. It is also a movie that I will continue to have those “What If” questions about. The difference between A Star Is Born, and many other movies that I have “What If” questions about is I don’t necessarily have a band-aid fix on what Cooper could have done to improve his film. Instead, I have some general thoughts and ideas. But these thoughts and ideas are more easily said than done, and I completely understand that. Oh, and this review is full of spoilers without warning. Therefore, let this be your warning as you read my review.
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Category Archives: Bradley Cooper
Joy (2015)
Joy is the epitome of a very average movie with a standout lead performance. Jennifer Lawrence (Silver Linings Playbook, American Hustle) will most definitely earn her fourth Academy Award nomination (third for Lead Actress) in five years for her role as the title character. Still, she does not have a chance to win. I think she would have had a shot had the movie been better received with critics and audiences, but it likely would not have been enough to knock off favorites Brie Larson (Room), Saoirse Ronan (Brooklyn), or Charlotte Rampling (45 Years). Lawrence and Cate Blanchette (Carol) likely will be the final two nominations, with Carey Mulligan (Suffragette) having an outside chance to spoil.
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American Sniper (2014)
In a year that hasn’t had that many must-see movies, American Sniper has proved that there is at least one reason to head out to the theaters. 2014 has been the most disappointing year overall for movies since 2008. Yet despite its horrendous start and some incredibly overrated movies (Birdman, Unbroken, Mr. Turner, Snowpiercer, Godzilla, even Boyhood to an extent), some films did manage to live up to their expectations (Foxcatcher, The Theory of Everything, The Imitation Game). In addition, some movies exceeded my hopes for them (The Drop, Nightcrawler, Kill the Messenger, and the surprise, feel-good movie of the year, Chef). But the film that had the most pressure on its shoulders to perform was American Sniper, the final released movie of the year. And while the movie did not exceed my expectations, it certainly met them in every single way. So before I review the film, I want to refer to a couple of observations.
American Hustle (2013)
My review of David O. Russell’s (Silver Linings Playbook, The Fighter) American Hustle will be much quicker than some of my other recent reviews. This movie isn’t exactly flying under anyone’s radar. As of this post, it most likely will earn Oscar nominations for Best Picture and Best Director (though it probably will win neither) and has a chance to land nominations for four of its actors, though the only one that seems certain is Jennifer Lawrence (Silver Linings Playbook, Catching Fire) for Best Supporting Actress. There are many critics out there (currently rated as 93% fresh on Rotten Tomatoes. who will rave about this movie, including Richard Roeper, who listed this as his best movie of 2013. I am, therefore, in the minority. Perhaps the expectations were so astronomically high going into this movie, perhaps it was I had watched The Wolf of Wall Street just two days prior (a movie that dwarfed this one), or perhaps it was that I was just bored. Still, for whatever reason, I was very, very, very underwhelmed.
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The Place Beyond the Pines (2013)
The Place Beyond the Pines is a place you do not need to visit anytime in the near future. Director Derek Cianfrance and Ryan Gosling (Drive, Half-Nelson) team up for the first time since the 2010 instant classic Blue Valentine. I can honestly say that they recaptured their magic for the first third of this movie, but ***spoiler alert***then Cianfrance went and killed off Gosling. After that, this movie tail-spun into the ground. The Place Beyond the Pines is told in three stories (all roughly 45-55 minutes). In this review, I’m going to spoil everything. So either you’ll stop reading now and see the movie on your own, or you’ll heed my advice and read this post instead of seeing this wreck of a film.
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