David Mackenzie’s critically acclaimed Hell or High Water, a 2016 movie nominated for Best Picture, reminded me of a quiet and subdued gem of a 1993 film that undoubtedly inspired a director just starting to enter his prime. Clint Eastwood (Mystic River, Million Dollar Baby) was fresh off of Unforgiven (a movie that earned him his first Best Director Oscar win as well as Best Picture of the Year) and the critically acclaimed and equally fan-adored In the Line of Fire. A Perfect World was Eastwood’s third movie between 1992 and 1993, the most successful two-year period of the most exceptional director/actor combination in cinema history.
Category Archives: Clint Eastwood (D)
The Mule (2018)
Every trailer for a Clint Eastwood (Unforgiven, Million Dollar Baby) directed movie over the last decade-plus has made the film look like it’s a guaranteed Best Picture nominee. Whether that proves to be fruition (American Sniper, Flags of Our Father) or not even close (The 15:17 to Paris, Hereafter) doesn’t affect how great the trailers are. Over the last 15 years, Eastwood-directed movies have earned hundreds of millions more combined than they would have otherwise received had they not had terrific trailers. And this is true with 2018’s The Mule. After seeing the trailer for The Mule for the first time back in early October of 2018, the film instantly vaulted to my most anticipated movie of the year. When it wasn’t screened very much before its opening, I got a little worried. Then I saw the mixed reviews start to come in. At the time of this writing, The Mule has a 62% critics square and a 74% audience score, numbers that were a little lower than I anticipated based on the trailer, but right around what I expected them to be after seeing the film.
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Sully (2016)
Two days after seeing the best lead actress performance I have seen so far in 2016 (Alicia Vikander – The Light Between Oceans), I saw the best performance by a lead actor so far this year in Tom Hanks’s (Forrest Gump, Captain Phillips) portrayal of Chesley “Sully” Sullenberger in Clint Eastwood’s (American Sniper, Mystic River) Sully. While 2016 has been a major letdown for movies through its first eight months, Sully, at least, gives promise that you are guaranteed one fantastic film and hope that there will be many, many more as Oscar season approaches (Manchester by the Sea, La La Land, Fences, Nocturnal Animals, Loving, Billy Lynn’s Long Halftime Walk to name a few). 2016 has proven and will continue to prove that it is a year like no other since I began this blog back in 2010. Through its release date (September 9), Sully is, hands down, the best movie of 2016 and the only one that I feel 100% confident will stay in my top 10 after I’ve seen all of the big movies of 2016.
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American Sniper (2014)
In a year that hasn’t had that many must-see movies, American Sniper has proved that there is at least one reason to head out to the theaters. 2014 has been the most disappointing year overall for movies since 2008. Yet despite its horrendous start and some incredibly overrated movies (Birdman, Unbroken, Mr. Turner, Snowpiercer, Godzilla, even Boyhood to an extent), some films did manage to live up to their expectations (Foxcatcher, The Theory of Everything, The Imitation Game). In addition, some movies exceeded my hopes for them (The Drop, Nightcrawler, Kill the Messenger, and the surprise, feel-good movie of the year, Chef). But the film that had the most pressure on its shoulders to perform was American Sniper, the final released movie of the year. And while the movie did not exceed my expectations, it certainly met them in every single way. So before I review the film, I want to refer to a couple of observations.