I love it when a movie is timely and relevant. I refer to The Social Network, the 2010 origin film about the social phenomenon of Facebook. This social media platform had been made available to the public less than four years earlier. Aaron Sorokin and David Fincher worked magic to create such a masterpiece quickly. I still maintain that The King’s Speech beating The Social Network for Best Picture was one of the biggest shams in Oscar history. It showed just how antiquated and set in their ways The Academy had become. While Craig Gillespie’s (I, Tonya, Lars and the Real Girl) Dumb Money is not entirely on the same level as The Social Network, its timely significance cannot be overlooked. Though in a completely different way, the events in Dumb Money are (to many individuals, organizations, and sectors) as impactful as to those in The Social Network.
Category Archives: Clancy Brown
Promising Young Woman (2020)
The astounding Gone Girl, unfortunately, it is not. The disappointing The Girl on the Train it, fortunately, is not. First-time director Emerald Fennell’s Promising Young Women (intentional or not) is a film that falls somewhere in between, even if that was never an intention or a consideration by anyone else watching the film. I mention comparing the three because 2014’s nearly flawless Gone Girl was this intense, methodical movie based on a novel centered on revenge against a man she felt had wronged her. Then it felt like 2016’s The Girl on the Train was a movie that was rightfully or wrongfully being compared and expected to be as successful as Gone Girl, partially because it was also based on a very successful novel, had an A-list leading actress (Rosamund Pike, Emily Blunt) had an edgy and creepy vibe to it, and ironically had the word “Girl” in the title. Promising Young Woman has elements of both movies. It has an amped-up revenge plot similar to Gone Girl and the mystery detective aspect of The Girl on the Train. You don’t need to watch either of the movies mentioned above to see Promising Young Woman. While there are some aspects of each, this film carries its weight, though it doesn’t hurt to be in the same conversation as two well-known films in the movie community.
Homefront (2013)
Homefront is not a movie I would typically watch (let alone review), but it has been in my Netflix queue for quite some time. I usually watch some of my more mindless movies in February and March. Before I even begin reviewing, that’s not to say that this was a poorly made movie or one that you shouldn’t watch. It just means that this is a movie you watch purely for entertainment purposes, and its storyline does not require a lot of thought or concentration. Also, I have over 400 movies reviewed at this time, yet I still have not reviewed a Jason Statham (The Mechanic, The Transformer) movie. That has mostly to do with the fact that I don’t watch a lot of Statham movies. I like him as an action star, but my movie watching these days tends to take me away from The Mechanic, The Transformer, The Expendables, and The Fast and the Furious franchises. Although, based on their box office numbers, there is an audience for Statham-type movies. But, now in my early 40s, I find myself drawn more to movies as an art form rather than I do for pure entertainment purposes. And I almost laugh at this, considering the movies I watched 15 years ago compared to today’s movies.
The Shawshank Redemption (1994)
Remember, hope is a good thing, maybe the best of things, and no good thing ever dies.
Wrongly accused of murdering his wife and her lover, Andy Dufresne (Tim Robbins – Jacobs Ladder, Mystic River), a young, successful vice president of a major bank, is sentenced to serve back to back life sentences in Shawshank State Penitentiary never gets too down in his circumstances, even though he will spend out his days behind bars. In contrast, his wife’s killer roams the streets free. The legendary fiction horror writer Steven King (The Shining, The Mist) introduced himself to a new kind of audience with this quiet and underrated (at its release) The Shawshank Redemption, a film that is nothing like Pet Semetary, IT, Cujo, Misery, Needful Things, Christine, Thinner, Carrie, Firestarter, Children of the Corn or a host of his other adapted horror novels adapted for film. The Shawshank Redemption is the complete opposite of a horror film. It is the crowning achievement of director Frank Darabont’s (The Green Mile, The Mist) career, a movie that has been the highest-rated movie on the International Movie Database (IMDB) in the history of its website. Continue reading The Shawshank Redemption (1994)