I love it when a movie is timely and relevant. I refer to The Social Network, the 2010 origin film about the social phenomenon of Facebook. This social media platform had been made available to the public less than four years earlier. Aaron Sorokin and David Fincher worked magic to create such a masterpiece quickly. I still maintain that The King’s Speech beating The Social Network for Best Picture was one of the biggest shams in Oscar history. It showed just how antiquated and set in their ways The Academy had become. While Craig Gillespie’s (I, Tonya, Lars and the Real Girl) Dumb Money is not entirely on the same level as The Social Network, its timely significance cannot be overlooked. Though in a completely different way, the events in Dumb Money are (to many individuals, organizations, and sectors) as impactful as to those in The Social Network.
Category Archives: Vincent D’Onofrio
The Eyes of Tammy Faye (2021)
Jessica Chastain (Molly’s Game, Zero Dark Thirty) is attempting to become the second actress to win a Lead Actress Oscar and a Lead Actress Emmy in the same year. After just two episodes of the five-part HBO miniseries Scenes from a Marriage, Chastain seems like a shoo-in to win an Emmy for her role as Mira, a middle-aged wife, opposite Oscar Isaac. The latter encounters some of the most challenging struggles a married person might ever have. It’s a hard-hitting, riveting drama that could sweep awards season in the miniseries category. Chastain further showcases her acting prowess as Tammy Fay Baker, the televangelist and our protagonist in Michael Showalter’s (The Big Sick, Hello, My Name is Doris).
The Magnificent Seven (2016)
I’m starting to think that Hollywood is either completely out of original ideas or knows that they are guaranteed a minimum hundred million dollars at the box office if it remakes a movie and has a starting cast of Hollywood A-listers. There is absolutely no reason why The Magnificent Seven needed to be remade. I have not seen the first one, but I imagine it was probably a pretty good movie when it was made…56 years ago. There have not been many great westerns produced in this century and, while they were good, most of them have been remakes (3:10 to Yuma, True Grit). There have been others (The Assassination of Jesse James by the Coward Robert Ford, The Three Burials of Melquiades Estrada, The Homesman). Still, there really haven’t been many in this genre of films when compared to others. While I appreciate a good western (Young Guns was my number one movie of all time from when I was 15 until I was about 25), I dislike a bad western just as much as I dislike a poor movie in other genres. And while I wouldn’t necessarily call The Magnificent Seven a poor movie, I definitely would call it an unneeded one. Unless you love westerns, there’s no need to see this movie. This absolutely is a movie that you don’t need to see on the big screen.
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Jurassic World (2015)
It’s been 12 years since we last saw the Tyrannosaurus Rex tearing up the supposedly revamped dinosaur park in Jurassic Park III. While much better than the 50% rating it earned on Rotten Tomatoes, the movie pretty much signaled the end of the franchise. Gone were Sam Neill, Laura Dern, and Jeff Goldblum. There was talk over the last decade to reinvigorate the series, but nothing ever materialized. Then came the move to call this Jurassic World rather than Jurassic Park IV and add all new players to the game. Had this movie been released in 2005 (to continue the pattern of every three years), I think this movie would have stunk. Even with its 2015 release date, it still could have stunk. But it didn’t stink. It wasn’t the original (93% on Rotten Tomatoes and $350 million domestically + another $50 million on re-release in 2013, not to mention the millions it earned overseas and through rentals). However, it was still very, very good. I’ll go as far as to say that if this was the first movie with Jurassic in the name that it would have earned higher than its respectable 71% on Rotten Tomatoes. With over $200 million drawn on opening weekend, it’s likely to smash any of its predecessors at the box office (by contrast, Jurassic Park earned just $50 million in its first weekend). Regardless, I felt that if the movie received a rating of over 65% fresh, it would probably do very well at the ticket office. I didn’t think it would do this good. But I feel like it deserves its positive reviews and its revenue. It was a very entertaining movie and one that I recommend seeing on the big screen.
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