Category Archives: Forest Whitaker

Black Panther (2018)

In 2009, the Academy of Motion Picture Arts and Sciences expanded on a tradition that it had in place since 1927. It increased the number of potential Best Picture nominations from the normal five to a potential maximum of 10. It was a move to inject more blockbusters into the Oscar mix and to give movies like Avatar, Inception, and Toy Story 3 the recognition of Best Picture that they deserved. But in essence, this was The Dark Knight rule. This 2008 film most incredible superhero movie ever made, was nominated for eight Academy Awards and won two (Best Supporting Actor – Heath Ledger, Best Achievement in Sound Editing). Still, it failed to earn a Best Picture nomination. While 2008 produced five excellent Best Picture nominations (Slumdog Millionaire, Milk, The Reader, Frost/Nixon, and The Curious Case of Benjamin Button), it still felt like The Dark Knight belonged, either in addition to one of these five or as a replacement. And the Academy changed its rules after that year. Instead of the top five vote earners being selected as the nominees, if a movie received a certain threshold of votes, it would be nominated for Best Picture (up to 10 nominations). I don’t believe we’ve had 10 movies selected yet in the last decade, but we have had nine on multiple occasions. This year there were eight. And while the last decade resulted in many movies earning a Best Picture nomination that they wouldn’t have received before the rule change, the first superhero to benefit from The Dark Knight rule was Ryan Cogler’s (Fruitvale Station, Creed), Black Panther, a film that made history by becoming the first-ever superhero to receive a Best Picture nomination.

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Arrival (2016)

Alien, Fire in the Sky,  Independence Day, Men in Black, Starship Troopers, Cloverfield, Signs, Prometheus. These are some of the many movies that have successfully explored contact in some form with extra-terrestrial beings in some form. And then you have movies like E.T., Close Encounters of the Third Kind, Cocoon, Contact, Solaris, District 9, GravityInterstellar, and The Martian that are also movies about either extra-terrestrial encounters or innovative space exploration that deal more with the human component or relationship building than they do action, adventure, and/or a post-apocalyptic future. Add Denis Villeneuve’s (Sicario, PrisonersArrival as the latest movie to try to get itself on this impressive list. The critics (93% on Rotten Tomatoes) and audiences (82%) have both enjoyed this movie. I wouldn’t say that I disliked this movie, but I don’t have the same praise as many others. If you haven’t seen Villeneuve’s Sicario, please see this movie. It was one of the five best movies of 2015. I haven’t met many people who have seen this movie and didn’t like it. It’s an incredible movie. I hoped Villeneuve could recapture that same success with this follow-up, but, ultimately, it was a movie that I found interest in. Still, one that was a little all over the place and not one that I could ultimately relate to or, to an extent, even understand its purpose.
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Southpaw (2015)

History probably will not remember this because he missed earning an Academy Award nomination for the first performance and may again miss out on this one. Still, the physical transformation from Jake Gyllenhaal’s performance as sickly, twisted reporter Lou Bloom in 2014’s fantastically crafted Nightcrawler to the lean, mean, fighting machine Billy Hope in 2015’s Southpaw is remarkable. As people watch either or both of these movies in the future, I think they will fail to remember that he filmed these two movies back to back. But aside from how he changed the physical look of his body for each of these roles, his acting performance in each of these films might be the two best in a career that continues to hit all the right buttons, save for The Prince of Persia: The Sands of Time. I’ll first see Southpaw that the less you know in, the better off I think you will be. So if you haven’t seen it, I will list my overall score of the film here, and I would suggest not reading any more until after you’ve seen the movie or if the surprise factor isn’t something you are interested in. I will alert you when I add spoilers to this review. I would give Southpaw an overall score of 87.5/100.
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Lee Daniels’ The Butler (2013)

the butler movie posterLee Daniels’ The Butler was a well-made movie that many thought would receive multiple Academy Award nominations. It was a good movie, but certainly not one of the ten best of the year. There were fine performances given by the leads Forest Whitaker – (The Last King of Scotland, The Crying Game) and Oprah Winfrey (The Color Purple, Beloved). Still, neither gave one of the top five performances of the year in their category. In addition, director Lee Daniels (Precious: Based on the Novel Push by Sapphire, The Paperboy) told a story that keeps you interested and involved, but this did not match the direction of Steve McQueen (12 Years A Slave) or Alfonso Cuarón (Gravity). In short, this was a good movie worth seeing, but one that most likely would not have been nominated for an Academy Awards, regardless of the year of release. Continue reading Lee Daniels’ The Butler (2013)

Out of the Furnace (2013)

out of the furnace movie posterFinally, a gritty drama for 2013 to win you over with complex characters and excellent acting performances. This movie is, first and foremost, about flawed characters who want to do the right thing but don’t always know how. Well…I say that except for Woody Harrelson’s (The MessengerRampart) character. He is as vile, violent, and rotten to the core as he’s ever been. There are no redeeming qualities in Harrelson’s portrayal of Harlan DeGroat, a fight organizer/crystal meth dealer who drinks way too much, dabbles a little too much in his product, and looks to physically hurt anyone and every one every time they do anything to set him off, regardless of what it is. He is a ruthless jerk to the nth degree. Unfortunately, he plays his role perfectly. Without giving anything away, he dominates the movie’s first scene and makes him the person we are to fear for the next two hours.
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