Meh. There are many better movies to see this year than Aaron Sorkin’s (The Trial of the Chicago 7, Molly’s Game) Being the Ricardos. However, the 2021 Academy Award nominees seem more prominent regarding name recognition than in prior years. Movies that in previous years likely wouldn’t have sniffed a nomination are likely to get multiples this year. Being the Ricardos, with Sorkin and Academy favorites, four-time Oscar nominee Nicole Kidman (The Others, Lion) and three-time nominee Javier Bardem (Biutiful, No Country for Old Men) will receive recognition. Kidman will get a nomination for acting (though she has no chance of winning), but Bardem will not. The film could receive a best-picture nomination, making me cringe.
Category Archives: J.K. Simmons
Palm Springs (2020)
Palm Springs, the Andy Samberg (NBC’s Brooklyn 99, Saturday Night Live) and Cristin Milioti (The Wolf of Wall Street, It Had to Be You) led comedy, was exactly the movie we needed during the summer of 2020. In a year with very few comedies (Borat Subsequent Movie will likely be the most memorable), this was a fun, unique movie that I’m sure would have broken up a dreadful summer. The problem was that theaters were mostly closed when this movie was released.
The Front Runner (2018)
An upstart politician gets caught being seen with a woman who is not his wife. A scandal ensues. Would-be presidential candidate resigns amidst the controversy. Just because a story happens doesn’t mean you need to make a movie about it. At best, Jason Reitman’s (Up in the Air, Young Adult) Gary Hart biopic should have been a straight to cable drop. But really, a 60-minute documentary on The History Channel or something would have sufficed. That’s not to see The Front Runner was a bad movie. Because it wasn’t, it’s just a movie that didn’t need to be made. Reitman, a fantastic yet underrated director fresh off the incredibly impressive Tully with also such films like Juno and Thank You For Smoking among his credits, had no business involving himself with a movie that, no matter what he did, wasn’t going to register with the critics or with the audiences because:
- Even though it is a 30 year story at the time of its release, it is one that everyone knows.
- , it iIt’s a story that we, as a society, tried to make into some huge deal,, whereas 30 years later, we realize that a politician cheating on his wife is something that hardly bats an eye.
- It’s a story that raised some issues related to morality tried to be a little preachy in a day and age where none of us is interested in hearing and seeing preachy…especially from a story that is trying to be relevant in today’s society but really does feel 30 years old.
The Accountant (2016)
Gavin O’Connor’s (Pride and Glory, Miracle) The Accountant is a movie that resonated with audiences ($86 million at the box office, 78% audience score on Rotten Tomatoes) but nearly as much with critics (a score of just 51% on Rotten Tomatoes). I saw the movie on its opening weekend because I thought the trailer looked fantastic and I’ve been a big fan of just about everything Ben Affleck (Argo, Gone Girl) touches, both in front of behind the camera since 2007’s Gone Baby Gone, a film that the led to his reemergence as a Hollywood A-lister. The Accountant looked like it would be the type of movie I love, a gritty drama/thriller that is dark, mysterious, and violent. The Accountant is just that, with its lead character is some masterful number cruncher by day and assassin by night. I was disappointed that I did not enjoy as much as I had hoped. More perturbing was that so many of my friends would ask me if I liked the movie and when I would have to tell them that I didn’t, they would be surprised and said that they liked it. I chalked it up to me not having a good day at the theater. Perhaps I was tired, didn’t feel like being at the movies that day (unlikely), or caught up in texting someone in an empty theater (more likely). I decided I would give the movie another chance when it came to Netflix and, this time, really pay attention. Since so many people saw this movie or are wanting to see it, I was determined to give it as solid of a review as I could. While I did like my second viewing more, I still didn’t love it. And I think a lot of it had to do with me wanting to know everything that was happening and wanting to make sense of it. I was struggling to do this. I had to look at some spoiler sites and read some reviews of others to really appreciate this movie for what it’s worth. There is an audience for it. If you like the Jason Bourne movies, you’ll likely like this. Likewise, if you like movies that have lead characters dealing with a group of complex disorders of brain development, which is one definition of Autism, you’ll like this movie. The Accountant is a movie that I recommend with the preface that you really need to pay attention to this film at all times as there is a lot happening at once. And, also, you need to suspend your beliefs to really enjoy the film. The Accountant (Affleck’s character) is a man who can do it all. But then again, so is Jason Bourne and most people (including me) love those movies, especially the first three. Continue reading The Accountant (2016)
Patriots Day (2016)
Too soon? Money grabber? These are two fair questions about the timing of Peter Berg’s (Deepwater Horizon, Lone Survivor) 2016 Patriots Day. The movie is based on the April 15, 2013, Boston City Marathon bombing, killing three people and wounded hundreds of others. It might seem like it’s too soon for a movie studio to be capitalizing on the tragic events of that day. For many, the event is still fresh in their minds. When I saw the trailer for this movie for the first time, I tended to agree. But after seeing this movie, I have changed my mind and instead will go with the mindset that if you’re going to make a movie out of a tragic event such as the Boston City Marathon bombing, you better get it right. And I’ll be the first to say that Berg and all those associated with this movie did, in fact, get this right. It was a respectful movie that looked at the incident from a variety of angles. And while I have not researched fact versus fiction yet, I will give Patriots Day the benefit of the doubt and say that it checked its facts before production. I know that the lead character Seargent Tommy Saunders (Mark Wahlberg – The Fighter, Daddy’s Home), is not an actual character but is a composite of various officers in the Boston Police Department. I’m lukewarm on whether I like this or not. I like this idea. As you watch this film, you’ll quickly learn that Tommy has to be fictional because there is just no way one person can be in every single important situation in the film. It makes Tommy out to be a singular hero. I understand the Hollywood aspect, but I also understand paying homage to a true story. I think I would have preferred each character of the Boston Police department to be more accurately portrayed. Still, with an abundance of characters, I could see how that could take away from the effective storytelling of the film.
Continue reading Patriots Day (2016)