Kong: Skull Island was definitely my most anticipated movie in the first quarter of 2017. Granted, the first three months of the year aren’t usually known for producing the year’s best films. And while Kong: Skull Island won’t be up for any end of year honors and won’t end up on my year’s top ten list (unless this year is God awful for movies), I found it to be a very engaging, exciting, and, if it’s even possible, original. While it wasn’t nearly perfect, this movie was awesome. As excited as I was to see it when I originally saw the trailer, I wasn’t feeling it the day of my viewing. Even with a Rotten Tomatoes score of 79%, I still felt like I would be disappointed. Since seeing it in the theater, I haven’t seen the most recent King Kong movie (the 2005 one starring Naomi Watts and Adrien Brody). I remember liking it a lot. But I don’t remember many of the details. I do remember it being extremely long. It honestly felt like it should have been two movies, and I think that’s why I haven’t watched it since, even though there has been a copy of the DVD sitting on my bookshelf for the last decade. Kong: Skull Island was certainly not a sequel or a prequel, and it didn’t feel completely like a reboot to me either. Sure, there have been other King Kong movies about a group of unknowns visiting Skull Island, but either this one had a different twist than the others, or I wasn’t paying enough attention (which is entirely possible). Still, this movie had a sense of freshness in it that I didn’t suspect. That, plus its visuals, sound, lack of dull/unimportant moments, and relatively short length (118 minutes), allows me to fully endorse this movie as one you should try to see in the theater. Plus, this movie was not created in 3D when it very well could have been. This is a definite plus.
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Category Archives: John Goodman
Patriots Day (2016)
Too soon? Money grabber? These are two fair questions about the timing of Peter Berg’s (Deepwater Horizon, Lone Survivor) 2016 Patriots Day. The movie is based on the April 15, 2013, Boston City Marathon bombing, killing three people and wounded hundreds of others. It might seem like it’s too soon for a movie studio to be capitalizing on the tragic events of that day. For many, the event is still fresh in their minds. When I saw the trailer for this movie for the first time, I tended to agree. But after seeing this movie, I have changed my mind and instead will go with the mindset that if you’re going to make a movie out of a tragic event such as the Boston City Marathon bombing, you better get it right. And I’ll be the first to say that Berg and all those associated with this movie did, in fact, get this right. It was a respectful movie that looked at the incident from a variety of angles. And while I have not researched fact versus fiction yet, I will give Patriots Day the benefit of the doubt and say that it checked its facts before production. I know that the lead character Seargent Tommy Saunders (Mark Wahlberg – The Fighter, Daddy’s Home), is not an actual character but is a composite of various officers in the Boston Police Department. I’m lukewarm on whether I like this or not. I like this idea. As you watch this film, you’ll quickly learn that Tommy has to be fictional because there is just no way one person can be in every single important situation in the film. It makes Tommy out to be a singular hero. I understand the Hollywood aspect, but I also understand paying homage to a true story. I think I would have preferred each character of the Boston Police department to be more accurately portrayed. Still, with an abundance of characters, I could see how that could take away from the effective storytelling of the film.
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10 Cloverfield Lane (2016)
Perhaps one of the most unconventional sequels of all-time, 10 Cloverfield Lane assembles almost no resemblance to 2008’s cult classic Cloverfield other than maybe its name. The movie takes place in rural Louisiana, while Cloverfield takes place in New York City. We never truly know how much 10 Cloverfield Lane is in the future, but we can assume it’s as soon as a couple of days and maybe as long as a couple of weeks. Cloverfield was a shaky camera-found footage film about aliens invading the city. 10 Cloverfield Lane is not that. It’s more like a spin-off than it is a sequel. An alien invasion is a possibility for how these characters find themselves. Still, it is just one of the possibilities described by Howard (John Goodman – Flight, Barton Fink), the film’s antagonist. Goodman might be better than he ever has been before. It certainly is his darker role and the first movie in many, many years (King Ralph anyone) in which he has played a starring role.
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The Gambler (2014)
Rupert Wyatt’s (Rise of the Planet of the Apes, Star Trek 3) The Gambler is a movie that should have done better both with critics and at the box office. Accruing just $33 million domestically and a 46% fresh on Rotten Tomatoes, this movie deserved a better fate. Sure it has its flaws, but 98% of all movies do. One factor against The Gambler was that it wasn’t striking the right audience. The first preview of this movie was a quick 30-second throwaway commercial during a ball game. I do not recall seeing a more extended trailer for this movie in the theater. When I did see the television commercial, it made it seem like it was a shoot ’em up action flick. That’s not what it was at all. I’ll say that this was one of Mark Wahlberg’s (Lone Survivor, The Perfect Storm) finest performances to date. I know Wahlberg is hit or miss with many people, but the man has talent. He has proven he can successfully do drama (The Fighter, Three Kings, Rock Star), crime (The Departed, Four Brothers), comedy (The Other Guys, Date Night), and action (Shooter, The Italian Job, and a host of others). Wahlberg can play a good guy as well as he can a bad guy. But rarely does he play a vulnerable character or a character that doesn’t look like an all-star for a least a good chunk of the movie. Without revealing too much, I will say that this is one of Wahlberg’s most insecure and vulnerable characters. It’s also a role he doesn’t overplay, which, I think, would have been very easy to do. While I didn’t love everything about this movie, I certainly liked it. I would recommend it to all Wahlberg fans or fans looking for a light drama, light crime movie that you don’t have to overthink or take too seriously to enjoy.
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Inside Llewyn Davis (2013)
For every one of their blockbusters (True Grit, No Country For Old Men) or every one of their movies with grandiose, almost absurd plots (Fargo, Miller’s Crossing), there are the more subtle, lesser-watched but still critically acclaimed movies (A Serious Man, The Man Who Wasn’t There) by director brothers Joel Coen and Ethan Coen. In the mold of this last type of genre comes their first effort in three years, the simple yet thought-provoking Inside Llewyn Davis, a film that stars Oscar Isaac (Drive, Robin Hood) in, perhaps, the surprise performance of the year and the role that will land this talented young actor many more opportunities.
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