If a story about a pair of two young, hungry lovers devouring the flesh from a still-warm body that one of them has just killed sounds like your cup of tea, Luca Guadagnino’s (Call Me by Your Name, I Am Love) Bones and All is the movie for you. If a plot line that revolves around cannibalism revolts you, this would be a hard pass. In either case, if there’s one December. 2022 release to skip the concessions on, that film is Bones and All.
Category Archives: Mark Rylance
Don’t Look Up (2021)
Best Picture nominee? Don’t Look Up? Really? This movie had a wide December release. It earned less than one million dollars at the box office and was out of the theaters in under two weeks. Its 56% fresh score on Rotten Tomatoes further suggests that this is different from a film one would deem to be selected by the Academy Of Motion Picture Arts & Sciences as one of its ten best films of 2021. Yet (sigh), here we are. The biggest tragedy might be that this isn’t a bad film but is unfairly getting bashed for its affiliation with the other nine movies up for Best Picture in arguably the worst collection of films for any year.
The Trial of the Chicago 7 (2020)
Just because a film has the revered Aaron Sorkin (The Social Network, Steve Jobs, The American President, Charlie Wilson’s War, Moneyball) attached to it as a screenwriter doesn’t mean we should automatically assume it will be a hit. The screenwriter has hit some home runs on the big screen. He’s the mastermind behind a few of the most revered television shows (The West Wing, Sports Night, The Newsroom) of the last 25 years. But that doesn’t mean that everything he touches will turn to pure gold. Venturing into just his second movie as a director (Molly’s Game), The Trial of the Chicago 7 is far from a film that should receive a Best Picture nomination. Sadly, it could very well win the top prize for 2020. Of the eight Best Picture nominated movies for 2020, only three finished in my top ten. In other years, I don’t think any of the three would have found a spot in my end-of-the-year list. 2020 was not a great year in the history of the world. The year in film was no exception.
Dunkirk (2017)
Christopher Nolan (The Dark Knight Rises, Inception) might be the best technical director we’ve ever seen. His precession is perfect. His attention to detail is unmatched. His brain operates so that it is always a step ahead of his actors and two steps ahead of his audience. We’ve seen technical masterpieces throughout his already storied career. At 47 years of age, he already has masterpieces like Following, Memento, Insomnia, Batman Begins, The Dark Knight, The Dark Knight Rises, The Prestige, Inception, and Interstellar all underneath his belt. His “worst” movie, according to Rotten Tomatoes, is Interstellar, and that still has a 71% fresh rating. That means his “worst” movie still had five out of every seven critics gave the movie a positive rating. But for all of the positives associated with Nolan’s films (and there are many), he has failed to capture the often needed emotional component with every single one of them.
Bridge of Spies (2015)
Bridge of Spies. The ultimate cure for insomnia. Okay, okay, it wasn’t that bad. It actually started great. It was also based upon a true story, so it had that going for it. But Lincoln, War Horse, and Munich were all Steven Spielberg-directed movies, and I found all three of those to be incredibly dull. I’m a huge Spielberg fan, but after doing a quick scan of his filmography, he hasn’t directed a movie I’ve liked in a decade (2005’s War of the Worlds). And I get wanting to branch off from the science-fiction/action-adventure genre that really defined him, but he seems to be missing something when it comes to these dramas. Of course, there are exceptions to the rule. Saving Private Ryan was one of the greatest movies ever made. So while I appreciate his desire to recapture the glory he achieved in a movie like that or a movie like Amistad or a film like Schindler’s List, I must then wonder why he’s wasting his time on a film like Indiana Jones and the Kingdom of the Crystal Skull. Worse, based on how poor that movie was, why was he set to direct a fifth installment of the series? Long story short, this isn’t the same Steven Spielberg of the 1980s and 1990s. There will be fans of the style of films he seems to be mainly concentrating on now (heck, Munich, War Horse, and Lincoln were all nominated for best picture), but all three of these movies (as well as Bridge of Spies) just felt long and tedious to me.
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