It took me two watches, some 12 months apart from one another, for me to be able to say emphatically that Alex Garland’s (Ex Machina) Annihilation isn’t a great movie. While I appreciate its ingenuity and ambition, the overall execution, delivery, and continuity could not be overlooked. For as much as I was in awe of Garland’s 2015 directorial debut, Ex Machina, I was even more disappointed with Annihilation, a movie for me that came and went as it felt, broke its own rules, left me bored at times, and hoping for more, while knowing it was never going quite to deliver. With a critics’ score of 88% but an audience score of just 66%, I am comfortable saying that, after watching it twice, some artistry I was missing made this movie so likable by those who review movies for a living. I couldn’t help but remove myself from critic mode and, even after taking off that hat, couldn’t get behind Annihilation to come close to recommending it.