Continuing a recent string of watching movies that I knew almost nothing about before my viewing (the underrated Saltburn and the mystifying Infinity Pool being the two most recent), Todd Haynes’s (Carol, Dark Waters) May December rewarded me with an experience I won’t soon forget. First and foremost, watching this film is somewhat disturbing, making the viewer frequently feel uncomfortable. While not for everyone, this harrowing portrayal is a diligent, albeit flawed, portrayal of a family after the fallout of a story that was so taboo that it was the cover story for tabloid magazines across the country.
Category Archives: Natalie Portman
Annihilation (2018)
It took me two watches, some 12 months apart from one another, for me to be able to say emphatically that Alex Garland’s (Ex Machina) Annihilation isn’t a great movie. While I completely appreciate its ingenuity and ambition, the overall execution, delivery, and continuity could not be overlooked. For as much as I completely was in awe of Garland’s 2015 directorial debut Ex Machina, I was even more disappointed with Annihilation, a movie for me that came and went as it felt, broke its own rules, left me bored at times and hoping for more, while knowing it was never going quite to deliver. With a critics’ score of 88%, but an audience score of just 66%, I am comfortable saying that, after watching it twice, maybe there was some artistry that I was missing that made this movie so likable by those who review for a living. I couldn’t help but be taken out of critic mode and, even after taking off that hat, couldn’t get behind Annihilation to come close to recommending it.
Cold Mountain (2003)
The year was 2003, and a quiet little movie named The Lord of the Rings: The Return of the King took home the Academy Awards biggest prize that year, winning Best Picture. Some will argue that this reflected on the culmination of a pretty darn good trilogy and that will ensure that the Peter Jackson franchise was worthy of its share of accolades that maybe Best Picture of the Year wasn’t one of them. I can’t give my personal opinion on that one because I have yet to see the film as of the time of this writing (February 2019). I liked the first two enough and don’t really have a reason for not seeing the third yet other than length and the thought that I should probably watch The Fellowship of the Ring and The Two Towers again beforehand. There was a slightly quieter movie that year that seemed to be the Academy sweetheart heading into Oscar night, a film that reestablished Clint Eastwood as a major force to reckon with as, perhaps, THE best director in Hollywood for the foreseeable future (2004’s Million Dollar Baby being his crowning achievement). Mystic River was nominated for six Academy Awards (including Best Picture and Best Director for Eastwood) and earned both Sean Penn and Tim Robbins their long-awaited trophies. 2003 was also the year for the excellent Seabiscuit, Master and Commander: The Far Side of the World, Monster, and Lost in Translation. But there was one movie that was better than all of these. It too was a major name at Oscar night, earning seven nominations and landing Renée Zellweger her first win after receiving nominations for 2001’s Chicago and 2000’s Bridget Jones’s Diaries at the previous two events. That movie was Anthony Minghella’s (The Talented Mr. Ripley) sweeping Civil War piece Cold Mountain.
Jackie (2016)
Less than a month ago, I would have said Natalie Portman (Black Swan, Brothers) was the one lock for an Academy Award win. Her portrayal as the grieving Jacqueline Kennedy Onassis in the wake of her husband’s assassination by Lee Harvey Oswald. Portman just looked the part, and it felt like this was the role she was born to play. Portman is a fantastic actress, and she did an above-average job in Jackie. But this movie was so flat and depressing that I wonder if it’s going to be enough to take out Emma Stone in La La Land, the movie that has been gaining lots and lots of steam in recent weeks. As I look at this list of contenders for Best Actress, I’m not overly impressed. This definitely helps Portman. This film only had to be pretty good to convince me that she should win. Unfortunately, the movie did not live up to my expectations at all. While I learned a lot about Jackie Kennedy, her relationship with her family, the media, and the people of America, and the events that occurred on November 22, 1963, and the week afterward, I felt this movie overall was very dark and very dull. Though only an hour and a half, it felt like a three-hour snoozefest. It’s hard to recommend a movie that felt more like a history lesson that you should be required to watch in your 11th-grade US History class.
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Closer (2004)
What a depressing movie Mike Nichols’s Closer was. And this is coming from a guy who loves this genre. But I’m not a fan of movies where all of the lead characters intentionally hurt other people just so they can feel better about themselves, just like I’m not a fan of people hurting other people intentionally in real life. But this movie was all of that and a bag of chips. I THINK I knew that was going on. I remember seeing previews for this way back in 2004 and thinking that this was not a movie that I had any interest in seeing. It made me think of the Woody Harrelson/Demi Moore movie Indecent Proposal for some reason, a film that I saw in theater at age 17 that I had no business seeing as a 17-year-old. Talk about a couple of movies that destroy the sanctity of marriage. So while this movie held my interest, primarily because of the actors involved, it’s a movie I’ll remember for a while that I wish I could forget instantly.
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