Fans of the self-published debut novel will not be disappointed by Ridley Scott’s (Alien, Gladiator) adaptation of Andy Weir’s The Martian. This is a good movie that should be viewed in 3D on the largest screen that you can see it on. While it doesn’t come close to delivering the same experience as Gravity or even Interstellar, it is one of the rare movies that truly benefits from being seen in 3D. Before I get into this review, I want to mention that I will try to write it from the standpoint of someone who has not read the fictional novel as best as I can, as I know this is something that most people have not read. With that said, I will refer to the book.
I will present some spoilers, but I will provide notice before diving into any of these. If you read around the paragraphs marked spoilers, you will be okay with reading this review before seeing this movie. The Martian is a very good movie, but it is not great. I was not disappointed by it. If I hadn’t read the novel, I think that maybe the trailers and the hype would have left me wanting more. This movie currently sits as my #6 movie of 2015, but I believe there is less than a 1% chance it will finish in my end-of-year top 10. It didn’t have the emotional impact Gravity had, nor does it have the What did I miss? I need to watch this movie again type of feeling Interstellar had. Also, as I will touch on later, something was missing from the performances overall, especially given that Scott landed the cast of the year. While I will heavily critique this movie, I really liked it. It was a very good adaptation of the book. It held my interest throughout its 2 hours and 15 minutes.
M. Night Shyamalan (Signs, The Sixth Sense) is no longer the master of terror. He seems to get progressively worse with each film. There are exceptions for some people. For example, I liked The Village more than I did Unbreakable, and while other people panned The Happening, I thought it was okay. However, there is no denying that the man is a fraction of his former self. While he no longer deems it necessary to have a twist in every movie, his last few movies, especially Lady in the Water, The Last Airbender, and After Earth, have been dreadful. With The Visit, a film he both wrote and directed, he tries something new. It fails. Miserably. At least for me, it did. There is an audience for it, as evidenced by its $25 million in box office revenue alone and a 59% “fresh” rating on Rotten Tomatoes. However, those who recall the masterful Shyamalan of 1999-2002 are not the same people who will enjoy this.
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