Dark humor movies aren’t my thing. They have never been. They never will be. I want my comedies to be funny. I want my dramas to be full of drama. I do like a lot of dramedies, but dark humor movies don’t fall into that category. I also like movies that make me think, keep me entertained, or, preferably, both. Jon Watts’s (The Amazing Spider-Man 3, Clown) Cop Car did neither of these things for me. While I understand there are many critics of Indie films who will enjoy this one, this is a movie to avoid for the everyday moviegoer. This is the top movie for many movie fans, and you’ll ask yourself how you can get those 90 minutes of your life back. For me, the film had promise. It was building towards something good. Unfortunately, it never came close to reaching what I had hoped for, at least for me. It actually didn’t come close.
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Two Days, One Night (2014)
While I am not the biggest fan of foreign language films, I am the first to admit that when a foreign movie is excellent, you get to the point where you don’t even notice you are reading subtitles anymore. You become so gripped by the film that it’s not just a great foreign film you are watching… but rather a great film. However, on the flip side, when a foreign film is terrible, it tends to drag and drag and drag. Part of that reason is that you’ve tuned out the movie so much that you have no idea where you are in the film when you do glance back. As a result, it becomes a dreadful movie experience. Almost all the foreign films I watch are recommended to me. Rarely will I be perusing Netflix, seeing a movie, and adding it to my queue because it’s a “foreign movie.” I am far more likely to skip a film with subtitles than to watch it. As a result, I rarely find a foreign film to be mediocre. I usually end up either liking the movie a ton or feeling like I just wasted two hours of my life. There are, of course, exceptions to the rule, and that is precisely what Two Days, One Night is. It is a mediocre movie in every sense. It had nothing to do with it being a foreign film. Had it not had subtitles, it would have been equally mediocre.
No Escape (2015)
No Escape is a combination of Behind Enemy Lines, Argo, and World War Z. Unfortunately, it is not nearly as good as any of these movies. In fact, it wasn’t good at all. It certainly wasn’t the worst movie I saw in 2015, but so far it’s been the most disappointing. The previews for this movie make it look great. If you’ve seen any movie this summer, you’ve undoubtedly seen the extended clip of Owen Wilson, in a last-ditch effort to save his family, hurling his young daughter from the roof of one building to another. It makes the movie look like the most intense movie of the year. Unfortunately, this scene is easily the best of the film, and the movie ultimately falls apart after that. Unfortunately, there is no escape from my giving this movie a poor review. It’s so bad that it’s not even the best movie named No Escape. The 1994 Ray Liotta effort was much better and more deserving of your time.
Straight Outta Compton (2015)
Straight outta Compton and straight into the Oscar buzz. It’s early, and this movie will be forgotten by Halloween (just like most of the great films released in the first eight or nine months of each year). Still, for now, this movie is hot with audiences (over $100 million grossed in its first eight days) and critics (89% fresh on Rotten Tomatoes), like just about any other movie of the year. As I will explain in my review below, Straight Outta Compton didn’t do anything (besides the music itself) that was amazing on its own, but it did do just about everything well. I wouldn’t call it the surprise hit of the year, as many other movies flew further under the radar (Ex Machina and The Gift are the two that come to mind for me). Still, it was a movie that could be very good or very bad, depending on the acting, which parts of the story would be told, and, most importantly, the direction. I’ll talk more about F. Gary Gray (The Negotiator, The Italian Job) later in the review, but long story short, he nailed it. Straight Outta Compton was his most challenging and impressive work to date. While I think it’s an extremely long shot based on the history of the Academy and its voting, his name could still be swirling around as a dark horse for Best Director come December.
Ant-Man (2015)
I’ll preface this review by saying that I liked Ant-Man, but that I know that if I do end up seeing Ant-Man 2, I won’t enjoy it. I say that because traditionally I like superhero origin stories (except for when that same character gets retold over and over and over again like Superman, which, on a side note, I have yet to see a Superman movie that I’ve even remotely enjoyed, but I am expecting huge things from Batman v Superman: Dawn of Justice). However, as with over 90% of movies that have sequels, superhero movies generally get worse (usually much worse) with each subsequent release.
Of course, there are exceptions. Batman Begins was fantastic, but The Dark Knight is my favorite superhero movie. Iron Man and Spider-Man are both incredible movies, but there wasn’t much drop-off to Iron Man 2 or Spider-Man 2. Now Iron Man 3 and Spider-Man 3 were both much worse. But when you think about it, when is the 5th, 4th, or 3rd movie of a franchise ever really the best one? Hardly ever. 90% of the time, it’s the first franchise movie that is the best. I wish viewer franchises would make movies. I want to see even fewer remakes. But that is a different topic for another day. Continue reading Ant-Man (2015)