Still Alice is a slightly above-average movie with the best lead performance you’ll see from an actress all year. There are only a couple of shoo-ins at this year’s Academy Awards. I believe that most categories are predictable, but there will be a couple of surprises. The big ones that will not come as a surprise are Patricia Arquette (Best Supporting Actress – Boyhood) and Julianne Moore for her performance as a 50-year-old woman suffering from Early-Onset Alzheimer’s Disease in Still Alice. Each year, there is a movie that earns a significant award but is not recognized in any other category. This year, that movie is Still Alice. I’m not a huge fan of Moore. I think she’s good, but she’s slightly overrated. Nonetheless, she is due to be recognized, and this is the lead performance that is head and shoulders above the other contenders.
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A Most Violent Year (2014)
The best movie of 2014 that has flown under the radar is, without a doubt, J.C. Chandor’s (All Is Lost, Margin Call) A Most Violent Year. As I will mention in the paragraphs below, this movie is subtly fantastic. But before I get into the film, I want to talk about Chandor. This guy is quietly establishing himself as a master of two crafts. A Most Violent Year is just his third movie, but it is the third he has directed and written the screenplay for. And all three films have earned at least 88% fresh on Rotten Tomatoes, even though none made more than $8 million at the box office. All three movies are unique, and Chandor has already worked with some of the biggest names in Hollywood (Robert Redford, Kevin Spacey, Jeremy Irons, Demi Moore, Stanley Tucci, Oscar Isaac, David Oyelowo, Jessica Chastain, and Albert Brooks). He has already signed Mark Wahlberg to star in his next project. And while All Is Lost and Margin Call were both unique movie experiences, A Most Violent Year is Chandor’s crowning achievement to date.
The Judge (2014)
The Judge was exactly what I thought it would be: an average fictional movie released in the heart of better films based on true stories. There was a lot of hype around this movie, but I felt it would do nothing for me. And that was what happened. Audiences seemed to like this movie, while critics slammed it. I’m in favor of the critics. At best, this was an average movie. At worst, it was a movie that tried every trick to get you to think it was a great movie. The fact that Robert Duvall (Apocalypse Now, The Apostle) got a Best Supporting Actor Academy Award nomination is a bit of a joke. His performance is a bit of an embarrassment compared to the other four nominees. The highlight of this movie is not the story. Nor is it Duvall. If you are going to see this movie at all (which I would recommend you don’t), you should see it for Robert Downey Jr.’s (Iron Man, Chaplin) outstanding performance.
Cake (2014)
If you are looking to see the second-best performance (nobody is going to be able to touch Julianne Moore in Still Alice) by an actress in 2014, check out Daniel Barnz’s (Won’t Back Down, Phoebe In Wonderland). While the movie might not wow you, the performance of Jennifer Aniston (The Good Girl, Rock Star) absolutely will. Nearly unrecognizable, the one-time Friend is a physical and emotional wreck throughout the movie. Playing Claire, a mother who lost her young son in an automobile accident while accruing numerous injuries to her legs, arm, back, and face that have forced her to become addicted to pain killers, Aniston gives the best performance of her career. I have yet to see two of the five nominees for Best Actress (Moore and Marion Cottilard – Two Days, One Night). But I will say that Aniston’s performance rivals those of Reese Witherspoon (Wild), Rosamund Pike (Gone Girl), and Felicity Jones (The Theory of Everything). I’ll give Cottilard the benefit of the doubt and say that maybe there were six great performances for five spots. However, if I were voting, Aniston would have gotten my vote over Jones (even though I thought Jones was great).
American Sniper (2014)
In a year that hasn’t had that many must-see movies, American Sniper has proved that there is at least one reason to head out to the theaters. 2014 has been the most disappointing year overall for movies since 2008. Yet despite its horrendous start and some incredibly overrated movies (Birdman, Unbroken, Mr. Turner, Snowpiercer, Godzilla, even Boyhood to an extent), some films did manage to live up to their expectations (Foxcatcher, The Theory of Everything, The Imitation Game). In addition, some movies exceeded my expectations (The Drop, Nightcrawler, Kill the Messenger, and the surprise feel-good movie of the year, Chef). But the film that had the most pressure to perform was American Sniper, the final movie released of the year. And while the movie did not exceed my expectations, it certainly met them in every single way. Before I review the film, I want to refer to a couple of observations.