Category Archives: Sigourney Weaver

Exodus: Gods and Kings

Exodus: Gods and Men was a movie I thought would be great, then terrible, and then okay. It ended up being pretty good. I am a massive fan of Christian Bale (The Dark Knight RisesOut of the Furnace) and Ridley Scott (Alien, Gladiator). Bale has had numerous hits over the last decade. I’ve seen 13 of his previous 15 movies, and I’ve been a big fan of all of them. Once as reliable as they come, Scott has had some misses in recent years, most notably The Counselor and Robin Hood. Both of these movies should have been great, and both underwhelmed.

Bale plays the role of Moses. Say what you will about Bale, but he’s not afraid to venture outside the norm. He takes chances. I love him as an actor. In the last 5+ years, only a handful of actors have been better (DiCaprio, Pitt, Gosling, Gordon-Levitt, Michael Fassbender, Bradley Cooper, and Tom Hardy) come to mind. The traditional heavyweights outside DiCaprio and Pitt (Hanks, Will Smith, Washington, Cruise, Day-Lewis, De Niro, etc.) have dropped out of the spotlight. Others (Day-Lewis, Hanks) have fallen into the pattern of doing the same movie repeatedly (Tom Cruise saves the world, Denzel Washington saves a plane, a train, a subway, a boat from catastrophe, etc.). Others have gotten into the habit of just making movie after movie to earn a paycheck without the intent of making a great film (De Niro).

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Rampart (2012)

rampart movie posterRampart is one mess of a movie that guts by (barely) on the merits of Woody Harrelson (Natural Born Killers, Transsiberian). I can’t say it’s worth the watch because of him, but it would have been an excruciating two hours had he not been the star. Its 76% approval rating on www.rottentomatoes.com is somewhat alarming, considering how incoherent and inconsistent the script was. This was a must-see movie when I saw that it was reuniting Harrelson with director Oren Moverman. The two struck gold with Moverman’s directorial debut, 2009’s The Messenger. That movie had a purpose. It had believable drama. It had a meaningful storyline. Never did it cause you to ask yourself, “Huh?” or “What just happened?” or “How are these characters getting away with all they are getting away with?” Instead, Rampart ends up being just one jumbled, incoherent disaster.
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