This post is a first. It is my first-ever post on an animated movie. After 260+ posts, I had to add an animation category under my genres. I have repeatedly said that I wouldn’t review animated films or documentaries. Still, Charlie Kaufman’s (
Synecdoche, New York, screenwriter for
Eternal Sunshine of the Spotless Mind)
Anomalisa is not your traditional Pixar or Dreamworks animation. And this isn’t really animation. It’s an entirely different stop-motion animation. Well, it is, and it isn’t. I don’t watch the F/X show
Archer or anything on Adult Swim, so I don’t have much of a comparison (if any);
Anomalisa was the most adult-oriented animation I’ve ever seen. It wasn’t adult-oriented in the X-rated sense. There wasn’t anything obscene in this movie. It’s just that the themes were very adult-oriented, and you wouldn’t want to be next to a kid while watching this film. I don’t think you’d want to be next to anyone during this film. I would not say that I didn’t like this movie. I did expect to like it much more than I did, as I kept hearing great things about it. But the two prevailing thoughts that I had while seeing this film were 1) I wanted to like it more than I did, and 2) It was uncomfortable to watch at times. It is tough to recommend this movie.
Continue reading Anomalisa (2015) →
Alien, Fire in the Sky, Independence Day, Men in Black, Starship Troopers, Cloverfield, Signs, Prometheus. These are some of the many movies that have successfully explored contact in some form with extraterrestrial beings in some form. And then you have films like E.T., Close Encounters of the Third Kind, Cocoon, Contact, Solaris, District 9, Gravity, Interstellar, and The Martian, which are also movies about either extraterrestrial encounters or innovative space exploration that deal more with human component or relationship building than they do action, adventure, and a post-apocalyptic future. Add Denis Villeneuve’s (Sicario, Prisoners) Arrival as the latest movie to try to get itself on this impressive list. The critics (93% on Rotten Tomatoes) and audiences (82%) have enjoyed this movie.
Yorgos Lanthimos’s The Lobster is one weird movie. I don’t often do well with movies that I find to be strange. Some movies that have gotten high ratings with the critics are so utterly dreadful that they are virtually unwatchable. The tone is simple, the dialect is weird, and the actions are peculiar, but the overall strangeness of these movies makes the experience a chore. I know some love Wes Anderson, and to each his own. The Lobster feels similar to one of these Anderson movies, but oddly enough, it interested me. While I didn’t understand why a strange movie needed to be made, I found it engaging, and it didn’t feel like I was watching it to say that I watched it. While I wouldn’t say I liked it and would never watch it again, there were parts of it.
Hot take. Hacksaw Ridge > Saving Private Ryan.
I drank the Kool-Aid on this one. In many previous reviews, I discussed who would receive the five Best Actress Academy Award nominations. I kept including Charlotte Rampling (