Somewhere inside Oren Moverman’s (Time Out of Mind, Rampart), The Messenger is a pretty good movie. It has the right tone. It has the right cast. It has the right setting. It has the right director. It just has the wrong plot. Well, I shouldn’t say it has the wrong plot, but I should say that the plot is a bit flawed. And it’s not even faulty so much as it is incongruent. It follows a timeline that we are uncertain of. Does this movie take place over a few weeks, a few months, a little bit more, or somewhere in between. It’s an integral part of the story to know the movie’s time frame because it helps us justify or not justify some of the actions of its characters. The longer the period that this movie takes place, the more likely it is for me to believe the story. The shorter it is, the less likely I am. The reason for this is the characters change too much. And I am not saying people can’t change over a short period, but it seems a stretch for all characters to change how they did in that brief period. But the time frame is never stated. It is implied to be three months, but it isn’t conclusive. For me, it doesn’t help the movie. It leaves me with the burning question of when to go from start to finish.
Category Archives: Oren Moverman
Rampart (2012)
Rampart is one mess of a movie that guts by (barely) on the merits of Woody Harrelson (Natural Born Killers, Transsiberian). I can’t say it’s worth the watch because of him, but it would have been an excruciating two hours had he not been the star. Its 76% approval rating on www.rottentomatoes.com is somewhat alarming, considering how incoherent and inconsistent the script was. This was a must-see movie when I saw that it was reuniting Harrelson with director Oren Moverman. The two struck gold with Moverman’s directorial debut, 2009’s The Messenger. That movie had a purpose. It had believable drama. It had a meaningful storyline. Never did it cause you to ask yourself, “Huh?” or “What just happened?” or “How are these characters getting away with all they are getting away with?” Instead, Rampart ends up being just one jumbled, incoherent disaster.
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