Category Archives: Elisabeth Shue

Whalefall (2026)

whalefall movie posterThis thing was rough. Setting aside the implausibility, Brian Duffield’s (Underwater, No One Will Save You) Whalefall still doesn’t offer anything we haven’t seen before. The imperfect father-son relationship. The conversations we had, and the ones we didn’t. The anger. The wishing we had one more day together. The regret. The guilt. Duffield uses an 80-foot, 60-ton sperm whale that swallows his lead character whole as the vessel for his story of life, loss, and redemption. 

One year after his father, Mitt (Josh Brolin – The Dog Stars, Sicario), a deep sea diving legend turned cancer-ridden sufferer, commits suicide by sinking himself with weights attached to his body in an ocean bay, Jay (Austin Abrams – Resident Evil, The Starling Girl) makes the decision to gear up with his scuba suit and search the floor of where his father sank, hoping to find his father’s bone or some other remnant that can give closure for him, his mother Zara (Elizabeth Shue – Leaving Las Vegas, Hollow Man), and his two sisters who haven’t successfully reconciled with the fact that the tomb they visit at the graveyard is empty. Great premise…

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Battle of the Sexes (2017)

2017 will go down as a year of very underwhelming movies. The nine films nominated for Best Picture were, by far, the poorest collection since 2009, when a decision was made that up to 10 movies could be nominated for Best Picture if they got enough votes. My Top 10 list has three of the nine movies for Best Picture (#5 The Shape of Water, #6 Three Billboards Outside Ebbing, Missouri, #10 Get Out). It’s hard for me to make a case for my Top 3 (Wind River, Hostiles, Life) receiving a Best Picture Nomination. While great, these movies differ from what the Academy is looking for. But Battle of the Sexes (co-directed by Jonathan Dayton and Valerie Faris) has everything the Academy looks for in a Best Picture nominee. It’s a period piece that looks very much like a period piece. It’s based on a true story and follows that story exceptionally closely. It has a definite protagonist and a definite antagonist. It has fantastic acting by its leads. It has a strong ensemble cast. It has a little bit of comedy, quite a bit of drama, and quite a bit of unexpected suspense. And its true story changed the course of history. It’s easily the most deserving movie that was not picked by The Academy (most say I, Tonya was the biggest snub), and it’s better and more deserving, in my opinion, than all of the selections.

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