A Quiet Place meets The Mist meets The Happening meets The Road meets I Am Legend (specifically with one of the alternating endings). That’s a quick and easy way to describe the effective Netflix release Bird Box. Many people will compare A Quiet Place to this film because of its proximity to release dates. I would have been upset if this was a cheap rip-off of, perhaps, the biggest surprise hit of 2018, replacing not making noise with being unable to see the change. But Bird Box is based on a 2014 debut novel of the same name by Josh Malerman, years before previews of A Quiet Place were even created. This makes the movie even more enjoyable. You get to wonder about Malerman’s inspirations rather than assuming that it was the novel he was trying to emulate.
Category Archives: Jacki Weaver
Widows (2018)
After watching Widows, I can very confidently say that if you team up director Steve McQueen (12 Years a Slave, Shame) and writer Gillian Flynn (Gone Girl, HBO’s Sharp Objects), I’m going to have my butt in a theater opening weekend. I’ve heard about Widows for months and saw the trailer the day before I saw the movie. And I still haven’t seen the whole trailer. I only needed to watch the first half of it to know that it was a movie I wanted to see immediately. McQueen, who was narrowly beaten out for Best Director (Alfonso Cuarón – Gravity), hardly seemed upset when, half an hour later, his 12 Years a Slave won topped Gravity (and others) for Best Picture of 2013. He’s been off the grid for the last five years (save for a few shorts), but he is back with a movie that might be better than any of his previous three masterpieces (12 Years a Slave, Shame, Hunger Strike). The only thing missing is an appearance by Michael Fassbender, but you won’t even notice.
Silver Linings Playbook (2012)
Silver Linings Playbook was a great movie I would have seen if I had done more research ahead of time. I have known for months now that Jennifer Lawrence is a candidate, if not the favorite, for this year’s Best Actress Academy Award and that Bradley Cooper could snag one of the five nominations in the Best Actor category. The movie might land a spot in the Best Picture category, though it would have little chance of winning. So the Oscar buzz was one reason that got me to the theater. The other was that the movie centered on mental illnesses and broken relationships. Those movies often, but not always, engross me. I saw drama and comedy as words associated with this movie. Perhaps naively, I did not see a romantic comedy. While there was a bit of drama and some attempts at comedy (which I found to be weak), this slowly but surely turned into a romance. By the movie’s conclusion, I was very, very okay with that. Though flawed at times, it came together nicely and felt reasonably original to me. If ten movies are nominated for Best Picture this year, Silver Linings Playbook will and should be one of them.
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