One of the most recognizable and influential films about substance abuse in cinema history is Darren Aronofsky’s (Black Swan, The Wrestler) revolutionary cult classic Requiem for a Dream. While this movie certainly is not for everyone, it ages very well. Much like films such as Eternal Sunshine of the Spotless Mind or Fight Club, this one deserves a second chance for those who might have dismissed it after a first watch. This is especially true in today’s times when drug abuse is as rampant as it is, with too many people dying because what they are purchasing and inserting into their bodies is often laced with substances unbeknown to them.
Category Archives: Jennifer Connelly
Top Gun: Maverick (2022)
There is a moment between the previews and the opening credits of Top Gun: Maverick where Tom Cruise appears as himself, seated in a director’s chair, and welcomes the audience to the film. This is not the first time a film’s lead actor has welcomed an audience and thanked them for coming since the Coronavirus Pandemic began in March 2020. John Krasinski famously did this in the spring of 2021 before the much-delayed A Quiet Place Part II, arguably the biggest and most anticipated movie (with all due respect to Tenet) that made its return to a wide-release audience.
Little Children (2006)
Little Children is a somewhat misleading name for a movie that doesn’t have much to do with children or anyone physically small. While a couple of kids are in this movie, they are non-descript and serve as props more than anything else. The leads are all middle-aged adults, though their undisciplined and erratic behavior suggests they are anything but. The protagonists act as entitled brats, while the antagonists are fundamentally flawed. It becomes apparent that we are on a collision course between all involved in a film whose setting is present-day New England, but that very well could be in any town in America.
Reservation Road (2007)
Despite its 37% rating on www.rottentomatoes.com, I found Terry George’s (Hotel Rwanda, The Boxer) to be a thrilling and captivating drama about the loss of family, moral responsibility, and the guilt a human being can become rattled with when committing an unthinkable crime that you become more and more confident that you are going to be able to get away with. While this movie did poorly at the box office (just over $100,000…no, not $100,000,000), it stars three Academy Award nominees, including Jennifer Connelly, who won Best Supporting Actress in 2002 for A Beautiful Mind.
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Pollock (2000)
Ed Harris (The Abyss, The Hours) delivers the performance of his career in Pollock, the story of American artist Jackson Pollock, who revolutionized American painting in the 1940s in New York City. Harris, who also directed the movie, portrays Pollock as an emotionally and mentally unstable wreck of a human being whose personal demons were often overshadowed, or should I say overlooked, by his adept skill in abstract painting. His use of dripping and splattering wild combinations of colors was unique and new and captured the attention of some of America’s most notable artists, museum owners, and journalists.