I sure did want to like Four Good Days, Rodrigo Garcia’s (Albert Nobbs, Passengers) Heroin-recovery-centered drama co-starring (Mila Kunis – Black Swan, The Book of Eli), and Glenn Close (Dangerous Liaisons, Fatal Attraction). It had everything I wanted in my heaving-hitting addiction dramas. It had a strung-out lead in 31-year-old Molly (Kunis) and that one person that, hopefully, all people have who will do anything to save this person they so dearly love. In this case, it is Molly’s mother, Deb (Close). The elements were in place for this to be a movie that knocked it out of the park. However, it was so severely flawed that it sometimes inadvertently detracted from the story it was trying to tell. As much as I struggled with its flimsy screenplay, its miscasting of Deb with Close, and its peculiar ending, it stuck with me so much that I wanted to go home immediately after watching it to review it. There is zero percent chance that Four Good Days ends in my 2020 Top Ten Movies of the Year list, but I fully imagine that I will remember every little bit about this movie at the end of the year as I do today (May 6th), and not for the wrong reasons.
Category Archives: Mila Kunis
Date Night (2010)
I’m not the biggest fan of romantic comedies despite what my VHS movie collection of the 1990s might suggest. I’ll be the first to admit that despite all of the crappy romantic comedies (i.e., just about every Ashton Kutcher movie), there are some good ones. I’m a big fan of movies like (500) Days of Summer, Notting Hill, and The Money Pit. Date Night falls right in line with those movies. The most significant difference between Date Night and the other three is that it’s not quite as heavy. Not that the three movies that I just mentioned are by any means downers, but they do have slightly more sentimental moments than Date Night.
Black Swan (2010)
Swan Lake director Thomas Leroy (Vincent Cassel – Eastern Promises, Oceans 12) welcomes his production company for the upcoming season with the following little story.
“We all know the story. The virginal girl who is pure and sweet but trapped in the body of a swan. She desires freedom, but only true love can break the spell. Nearly granted is her wish in the form of a prince. But, before he can declare his love, the lustful twin, the Black Swan, tricks and seduces him. Devastated, the White Swan leaps off a cliff, killing herself and, in death, finds freedom”.
It’s short and simple, and we all understand it. And it’s the basis of Leroy’s ballet. As Thomas tells this story to his attentive company, he taps a few females on the shoulder. One of these women will replace an aging Beth (Winona Ryder – Edward Scissorhands, Girl, Interrupted) as the prima ballerina for the opening production of their new season, Swan Lake. Nina (Natalie Portman – The Other Boleyn Girl, Closer ) is one of the girls who is tapped and ultimately awarded the role.